Information
| Year: | 2004 |
| Rating: | 6.1(32590) |
| Listed in: | Comedy, Fantasy, Romance |
| Directed by: | Gary Winick |
| Actors: | Mark Ruffalo Andy Serkis Phil Reeves Jennifer Garner Judy Greer Kathy Baker |
| "A comedy for the kid in all of us." | |
Cast
| Directed by | |
|---|---|
| Gary Winick | |
| Actors | |
| Mark Ruffalo | as Matt Flamhaff |
| Andy Serkis | as Richard Kneeland |
| Phil Reeves | as Wayne Rink |
| Sam Ball | as Alex Carlson |
| Sean Marquette | as Young Matt |
| Joe Grifasi | as Mr. Flamhaff |
| Alex Black | as Young Chris Grandy |
| Jeffrey Shane Cohn | as Grandy's Friend |
| George Hine | as Grandy's Friend |
| Philip Pavel | as Phil |
| Maz Jobrani | as Glenn |
| Ian Barford | as Pete Hansen |
| Justin Burke | as 13-Year-Old Boy in Bar |
| Jim Gaffigan | as Chris Grandy |
| Richard Whitebear | as DJ |
| Shambo Pfaff | as Band Member |
| John W. Grant | as Band Member |
| Fabrice Calmettes | as Band Member |
| Eron Otcasek | as Band Member |
| Kevin D. White | as Yearbook Photographer |
| Timothy Anderson | as Dancer |
| Adrian Armas | as Dancer |
| Douglas Caldwell | as Dancer |
| Tyce Diorio | as Dancer |
| Brandon Henschel | as Dancer |
| Michael William Higgins | as Dancer |
| Bubba Dean Rambo | as Dancer |
| Kevin Alexander Stea | as Dancer |
| Darrel W. Wright | as Dancer |
| Jason Yribar | as Dancer |
| David Boston | as Businessman on Street |
| Ward Horton | as Featured extra |
| Bill Kotsatos | as Photo Shoot Grip |
| Jason Makely | as Magazine Staffer |
| Luis Pedron | as Matt's Photo Assistant |
| James Pomichter | as Guy Hit by Shrimp |
| Mario Simone | as Photographer asst. |
| Stewart Summers | as Extra |
| Brad Tiemann | as Magazine Staffer |
| Michael Tommer | as Boy Watching Football Game |
| Larry Vigus | as Guest |
| Actresses | |
| Jennifer Garner | as Jenna Rink |
| Judy Greer | as Lucy Wyman |
| Kathy Baker | as Bev Rink |
| Marcia DeBonis | as Arlene |
| Christa B. Allen | as Young Jenna |
| Kiersten Warren | as Trish Sackett |
| Mary Pat Gleason | as Mrs. Flamhaff |
| Susan Egan | as Tracy Hansen |
| Lynn Collins | as Wendy |
| Renee Olstead | as Becky |
| Alexandra Kyle | as Young Tom-Tom |
| Ashley Benson | as Six Chick |
| Brittany Curran | as Six Chick |
| Brie Larson | as Six Chick |
| Megan Lusk | as Six Chick |
| Julia Roth | as Six Chick |
| Sarah Loew | as Carla |
| Benita Krista Nall | as Waitress at Party |
| Irena A. Hoffman | as Partygoer |
| Robinne Lee | as Rachel |
| Sara Swain | as Sara |
| Catherine Combs | as Catherine |
| Gia Mantegna | as Gina |
| Sydni Beaudoin | as Sydni |
| Corena Chase | as Poise Employee |
| Crystal Michelle | as Poise Secretary |
| Madeline Sprung-Keyser | as Maddy |
| Carmit Bachar | as Dancer |
| Rita Bland | as Dancer |
| Nadine Ellis | as Dancer |
| Janina Garraway | as Dancer |
| Stacey Harper | as Dancer |
| Katie Miller | as Dancer |
| Nancy O'Meara | as Dancer |
| Caroline A. Rice | as Dancer |
| Michon Suyama | as Dancer |
| Kadee Sweeney | as Dancer |
| Natalie Willes | as Dancer |
| Kimberly Wyatt | as Dancer |
| Nicole Abisinio | as Wardrobe Designer |
| Candace Elaine | as Hostess |
| Amber Gristak | as Rude Girl |
| Megan Guidarelli | as Secretary |
| Melody Krell | as Magazine Editor |
| Scout Taylor-Compton | as Tiffany |
Movie info
| Languages: | English, Portuguese |
| Budget: | USD 37,000,000 |
| Gross: |
USA - 56,044,241 USD (27 June 2004) UK - 5,109,348 GBP (5 September 2004) Worldwide - 39,223,950 USD (except USA) Netherlands - 353,209 EUR (22 August 2004) |
| Plot: | The movie 13 going on 30 focuses on a young teenage girl by the name of Jenna Rink who suffers a humiliating thirteenth birthday and makes a wish to skip ahead to when she is thirty years old. Through the magic of some wishing dust her wish comes true. The movie then transports us to a thirty-year-old Jenna with the exception that she is only still thirteen on the inside but doesn't remember anything since her thirteenth birthday. She soon realizes that her thirty-year-old self has everything that she wanted when she was younger, such as a cool apartment, a fabulous wardrobe, and a dream job. Jenna soon realizes that even though she has everything she could ever want when she was younger, there is still something missing. Without her best friend from 1987, she gets her assistant to track down Matt. To her dismay she learns that her and Matt have been estranged since high school and that Matt is now engaged. When Jenna shows up at Matt's wedding, he gives Jenna back the dream house that she once through at him during her thirteenth birthday. Jenna leaves to find out that the wishing dust still works because we are then pulled back to the past to see a different story. Jenna tells off the girl she once wanted to be like and runs up the stairs with Matt to find that their getting married as there adult selves. |
View Online
|
YouTube
Watch part: 1
Watch part: 2 Watch part: 3 Watch part: 4 Watch part: 5 Watch part: 6 Watch part: 7 Watch part: 8 Watch part: 9 Watch part: 10
|
|||||
Tags
Original Soundtracks
|
"Jessie's Girl" Written and Performed by Rick Springfield Courtesy of The RCA Records Label, a unit of BMG Under license from BMG Film & Television Music "Burning Down the House" Written by David Byrne , Chris Frantz, Jerry Harrison and Tina Weymouth Performed by The Talking Heads Courtesy of Warner Bros. Records Inc. By Arrangement with Warner Strategic Marketing "Ice Ice Baby" Written by Vanilla Ice (as Robert Van Winkle), Floyd Brown, Mario Johnson, Freddie Mercury, John Deacon , Roger Taylor , Brian May , David Bowie Performed by Vanilla Ice Courtesy of SBK Records Under license from EMI Film & Television Music "Love is a Battlefield" Written by Michael Chapman and Holly Knight Performed by Pat Benatar Courtesy of Chrysalis Records Under license from EMI Film & Television Music "Thriller" Written by Rob Temperton Performed by Michael Jackson Courtesy of Epic Records By Arrangement with Sony Music Licensing "Vienna" Written and Performed by Billy Joel Courtesy of Columbia Records By Arrangement with Sony Music Licensing "Why Can't I" Written by Liz Phair, Lauren Christy, Graham Edwards and Scott Spock Performed by Liz Phair Courtesy of Capitol Records Under license from EMI Film & Television Music "Crazy for You" Written by John Bettis and Jon Lind Performed by Madonna Courtesy of Warner Bros. Pictures Inc. "Head Over Heels" Written by Charlotte Caffey and Kathy Valentine Performed by The Go-Gos Courtesy of IRS Records Under license from EMI Film & Television Music "Will I Ever Make It Home" Written and Performed by Ingram Hill Courtesy of Hollywood Records, Inc. "Mad About You" Written by Paula Jean Brown, Mitchel Evans and James Whelan Performed by Belinda Carlisle Courtesy of IRS Records Under license from EMI Film & Television Music "Matt's Casio Jam" Written and Performed by Daniel Pinder "La Cumparsita" Written by Gerardo Matos Rodriguez "I Wanna Dance with Somebody (Who Loves Me)" Written by George Merrill and Shannon Rubicam Performed by Whitney Houston Courtesy of Arista Records, Inc. Under license from BMG Film & Television Music "What I Like About You" Written by Walter Palamarchuk, James Marinos and Mike Skill Performed by Lillix Courtesy of Maverick Recording Company By Arrangement with Warner Strategic Marketing "Everybody Have Fun Tonight" Written by Nick Feldman, Jack Hues and Peter Wolf Performed by Wang Chung "Keep It Simple (Stupid)" Written, Produced and Performed by Daniel Lenz "Good Day" (David Leonard Mix) Written by Tom Luce Performed by Luce Courtesy of Nettwerk America, LLC "Chick a Boom Boom Boom" Written by Adam Dorn Performed by Mowo! Courtesy of Mowo! Inc. By Arrangement with MCT Management "Tainted Love" Written by Ed Cobb Performed by Soft Cell Courtesy of Mercury Records Limited Under license from Universal Music Enterprises "Pachelbel - Canon in D" Written by Johann Pachelbel |
Goofs
|
Continuity: When Jenna is on the street, about to go to Matt's apartment before the wedding, her hair is parted on the right. When she is at the apartment, her part is on the left. Continuity: When Jenna is getting ready for the party, she puts a lot of make-up on. In the next shot, her makeup is toned down significantly. Continuity: When Jenna realizes there is a man in her bathroom, she grabs the umbrella and undoes the strap around it. In the next shot, the strap is attached again. In the shot when she opens in front of him, it's unattached. Continuity: The picture of Jennifer Lopez on the wall changes from perfectly straight to very crooked between shots. Continuity: SPOILER: When Matt is taking their picture at the end, his hand position on the camera changes between shots. Continuity: When Matt gives the Dream House back to Jenna, a small amount of wishing dust is stuck to the side wall. When Jenna sits in the backyard and the wind starts blowing, a lot of wishing dust is on the roof. Continuity: When Jenna and Lucy are talking on the street before going up to the office for the first time, the people walking by behind them jump around between shots. Continuity: During the Thriller (1983) (TV) dance, Matt stops dancing in the long shot. In the close-up, at the distance shot, he's still dancing, then stops. Continuity: Lucy starts to open her purse in front of the bar. When she turns, her purse is still under her arm. Continuity: While Jenna prepares for her presentation and when she confronts Lucy in her room, her hair is quite loose and parted in the middle. When Jenna comes out of the Poise building after Lucy tells her that she has found envelopes of Sparkle amongst her stuff, her hair is tightly parted on her right side. When she rides Chris Grady's cab, her hair is fairly loose and parted in the middle again. Continuity: When Jenna hears the cell phone ring for the first time in her apartment and goes to investigate, we see a sofa table with some umbrellas attached, and a jacket draped over a box with the box visible to the left. Then, as she looks back, the box has changed position and is more to the right, buried beneath the jacket. Continuity: When Jenna and Lucy are standing outside the club where they have just had drinks, Lucy pulls out a cigarette as Jenna is talking to Matt. She is holding it in her right hand and as she says she is going back inside she puts the cigarette in her left hand with her lighter. She turns to walk back in and the cigarette is back in her right hand. Continuity: While at the party to promote Poise Magazine, the level of Jenna's drink changes repeatedly between shots. SYNC: Immediately after Jenna presents her new magazine design, Richard hugs her and tells the group they will present it to corporate "tomorrow morning." His lips clearly say "Friday morning." DATE: When Matt shares his Razzles with Jenna in 1987, the package is blue. In 1987, Razzles packages were white. DATE: At Jenna's 13th birthday party in 1987, they drink Diet Coke from cans with 2003 graphics. Continuity: When Lucy is telling Jenna how to act outside the Poise Magazine building, the same extras walk past more than twice each. Also, there are people walking behind Lucy that we don't see in the close-ups of Jenna, even though they are standing next to each other. Revealing mistakes: In 1987, young Matt's body pad (to make him look pudgy) is visible when he turns his head to talk to Tom Tom. Continuity: SPOILER: When Jenna whistles for the cab so she can catch Matt before his wedding, she is holding a purse. When she leaves the cab and runs toward the house, her hands are empty. GEOG: SPOILER: When Jenna is going home from the city, she takes the Metro North Railroad. When she goes to break up Matt's wedding, she tells the taxi to head towards the George Washington Bridge into New Jersey. Jenna and Matt are next-door neighbors, and the Metro North Railroad goes to Connecticut. To get to New Jersey, she would need to ride NJ Transit. Continuity: When Jenna and her boyfriend get back to his apartment, a basketball is on the couch. In the next shot, when they sit on the couch, the basketball is gone. Continuity: When Richard is talking to Jenna and Lucy at the party, a woman in a blue dress and a man walk behind Richard, in front of the DJ the other side of the room. Several shots later, in a shot of the DJ stand, the couple is still crossing the room to leave. Crew: After Jenna and Lucy leave the bar, they run into Matt. As Jenna talks to Matt, his earpiece is visible. BOOM: When Jenna gets into the car and tells the naked guy to go away, a boom mic swing's reflection appears briefly in the rear of the car. Continuity: When Jenna throws the paper at Arlene in the meeting, Lucy is drinking from her cup. But in the next shot, when she looks at Jenna, her cup is back on the table without any time to set it back down. Continuity: In the beginning of the movie when Jenna is in the closet, she pulls out the tissues from her shirt, and they land in separate places on the floor. After she pushes Matt out and tells him she hates him, the tissues on the floor change position. Continuity: When Matt comes down the stairs with Jenna's gift, you see the bottom of the box, but then when he puts down the box and lifts it up, there is no bottom. Crew: When Jenna gets the umbrella and starts walking towards her bathroom in her apartment, a cameraman is reflected in the mirror. Continuity: When Jenna is at the sleepover with the younger girls, the Milano packet on the right switches from the front of the bag to the back of the bag between shots. Continuity: When Jenna is talking to Matt while sitting at the counter in her home, before the phone rings, there's a Diet Coke can turned to where you can see the Coca-cola logo. The camera switches angles and then back, the Diet Coke can is now completely turned around where you can not see the Coca-Cola logo, but instead the back side of the can. Revealing mistakes: SPOILER: At the wedding when Matt takes a picture as he and Jenna kiss, the flash fires on the camera, but the framed photo (presumably the very same, as suggested by the transition in the film) is taken without flash as shown by the contrast in lighting on their faces and the sunlight from behind them. Continuity: Jenna was walking around on the street without her shoes on when she first "wakes up" as an adult, so her feet must have gotten dirty, but when she answers the phone her feet are clean. Continuity: When the adult Jenna sees her office the first time she sees her photo with her boyfriend on the wall. Both Jenna and her boyfriend are wearing the exact same clothes which they wear on the night when Jenna and Lucy run into Matt and his fiancé, even though that scene happened later in the film. Even Jenna's hairdo is exactly same. CHAR: The "six chicks" at Jenna's party give her 7 jackets. GEOG: Jenna is told that Matt's address is 212 Bank Street. As Jenna walks through the Village to find him, the camera pans up to show her approaching the corner of Bank Street and 4th. She walks on Bank, but turns onto 4th to enter Matt's building. GEOG: When Jenna goes to her party at 27 Wall Street, she is shown standing through the window going north into Times Square. 27 Wall Street is south of Times Square, so she would not have been going north. |
Quotes
|
Matt: You can't just turn back time. Jenna: Why not? Yearbook Photographer: Swing around this way just a little bit, Gina. Come on, right there. That's good. Young Jenna Rink: It's Jenna. Yearbook Photographer: Look over here, Gina. Right here. Young Jenna Rink: IT'S JENNA! [Photographer takes photo and it comes out all wrong] Jenna: Wait, listen to me. I'm 13! Lucy: Jenna, if you're gonna start lying about your age, I'd go with 27. Lucy: Can you get in the car? Jenna: I can't get in the car, I don't get in the car with strangers. Lucy: Please get in the car, we're gonna be late. Jenna: I can't get in the car, I don't know you. Lucy: Just get in the car. Jenna: I don't get in the car with strangers! Lucy: You're being a little paranoid. Jenna: I saw his thingy! Jenna: You want to know a secret? Matt: Yeah. Jenna: You're the sweetest guy I've ever met. Jenna: Matty! It's Thriller! Becky: I like your dress. Jenna: That's because I have these incredible boobs to fill it out! Jenna: Can you tell I'm wearing underwear? 'Cause I totally am. Jenna: Becky, can I ask you something? Becky: Yeah, sure. Jenna: Can you tell I'm wearing underwear, cos I totally am. Becky: I think that's kinda the point! Richard: Who's your daddy? Jenna: Wayne Rink! Young Jenna Rink: I don't want to be beautiful in my own way. I want to look like these people. Beverly Rink: Oh those aren't people honey, those are models. Jenna: Thirty, flirty and thriving. [Jenna has invited the most popular girls in school to her 13th birthday party] Young Matt: I can't believe you invited those clones. Young Jenna Rink: They're my friends. Young Matt: The Six Chicks are not your friends, okay? Young Jenna Rink: Almost. And someday I'm gonna BE a Sixth Chick. Young Matt: There are six of them, Jenna, that's the whole point. There can't be a seventh Sixth Chick. It's just mathematically impossible. Besides you're way cooler than they are, they're totally unoriginal. Young Jenna Rink: I don't want to be original, Matty, I want to be cool. Jenna: I'll have a Pina Colada, not virgin. Wanna see my ID? Totally have it! Jenna: I love you, Matt. You're my best friend. Matt: I love you too, Jenna... I've always loved you. Jenna: [hearing her cell phone ring] Can you hear that, sir? Can you hear the music? Richard: Jenna, my balls - Excuse my French - are in an iron vice. Corporates are twisting and squeezing like a bunch of dominatrixes on steroids, and now Lucy is presenting her own re-design without you. Could you tell me what is going on? Jenna: What is going on is that you are going to have more choices. Richard: With all due respect to Lucy, I'm far more anxious to know what you've been working on. Jenna: Thank you. Richard: I'm not trying to compliment you. I'm trying to pressure you. Jenna: How long until your balls get totally squished? Richard: Hopefully never, I'm rather attached to my balls. Jenna: Can they hang in there til five? Jenna: Who are these women? Does anyone know? I don't recognize any of them. I want to see my best friend's big sister, the girls from the soccer team, my next door neighbor, real women who are smart and pretty and happy to be who they are. These are the women to look up to. Let's put life back into the magazine. And fun and laughter and silliness. I think we all - I think all of us - want to feel something that we've forgotten or turned our backs on because maybe we didn't realize how much we were leaving behind. We need to remember what used to be good. If we don't, we won't recognize it even if it hits us between the eyes. Matt: It doesn't matter what Lucy said. I stopped trusting her after she stole my poprocks in the third grade. Young Matt: Arrivederci. Young Jenna Rink: Au revoir. Jenna: Matty. Matt: Yeah? Jenna: Arrivederci. Matt: I'll see you. Jenna: Matt! Matt: Yeah? [she gives him a look] Au revoir. Matt: Jenna, what are you... Why are you here? Jenna: Matty, I told you - something really weird is happening. Yesterday was my 13th birthday and then, and then today I woke up and I'm this, and you, I mean - you're that! You get it? Matt: [long pause] Are you high? You been smoking pot? Doing X? Fallen into a K-Hole? You doing drugs? Jenna: What happened? Matt: I don't know. I can pretty much peg it to your 13th birthday party, when you were in the closet playing that game. Spin the Rapist? Jenna: Seven Minutes in Heaven. Jenna: Matt, stop being so nice to me. I don't deserve it. Do you know what kind of person I am now, I mean - do you know who I am right now? I don't have any real friends. I did something bad with a married guy. I don't talk to my mom and dad. I'm not a nice person. And the thing is - I'm not 13 anymore. [first lines] Boy: Move it, dorkus. [last lines] [spoiler] Jenna: A Razzle, Mr. Flamhaff? Matt: Thank you, Mrs. Flamhaff. Arlene: Eminem's on the phone; he wants an answer now. Jenna: Umm... plain. [Arlene looks at her strangely] Jenna: Peanut? Plain! Pete Hansen: What's wrong, Pookie? Jenna: Pookie? Uh... *Pukie!* You're married! Jenna: You are rude, and mean, and sloppy, and frizzy - and I don't like you at all. [Dragging Matt to the dance floor] Jenna: Oh for the love of Pete! You taught it to me! Matt: [confused look] You're not Chinese. Jenna: Hey! You got arm hair! Matt: Never got quite that reaction before. Lucy: OK, you can wipe the doe-eyed-Bambi-watching-her-mother-get-shot-and-strapped-to-the-back-of-a-van look from your face. Lucy: Okay, Jenna, repeat after me: I am Jenna Rink, big time magazine editor. Jenna: I am? Lucy: Say it. Jenna: I am Jenna Rink big time magazine editor. Lucy: I'm a tough bitch. [Jenna looks away, embarrassed to say it] Lucy: Say it! Jenna: I am a tough [whispers] bitch. Lucy: I'm gonna walk into this office and not let anyone know I'm hung over. Jenna: But that's just it. I'm not hung over- [Lucy gives her pointed look] Jenna: [sighs] I'm gonna walk into this office and not let anyone know I'm hung over. Young Jenna Rink: I wanna be thirty. Lucy: [regarding security breaches at the company] Jenna fired Charlotte yesterday. Richard: Did you? Good. I guarantee she had friends at Sparkle. She was always taking notes. Lucy: She was a secretary. Richard: Yeah, whatever. Jenna: [to Lucy at the party] Everybody Wang Chung tonight. |
Comments
No comments yet.
