Information
| Year: | 2003 |
| Rating: | 4.7(43853) |
| Listed in: | Action, Adventure, Comedy, Crime |
| Directed by: | McG |
| Actors: | Bernie Mac Crispin Glover Justin Theroux Cameron Diaz Drew Barrymore Lucy Liu |
| "This summer the Angels are back." | |
Cast
| Directed by | |
|---|---|
| McG | |
| Actors | |
| Bernie Mac | as Jimmy Bosley |
| Crispin Glover | as Thin Man |
| Justin Theroux | as Seamus O'Grady |
| Robert Patrick | as Ray Carter |
| Rodrigo Santoro | as Randy Emmers |
| Shia LaBeouf | as Max |
| Matt LeBlanc | as Jason |
| Luke Wilson | as Pete |
| John Cleese | as Mr. Munday |
| Cheung-Yan Yuen | as Deranged Mongol |
| Daxing Zhang | as Demented Mongol |
| John Chow | as Eager Mongol |
| Bruce Comtois | as Large Mongol |
| Khin-Kyaw Maung | as Crooked-Tooth |
| Russell Bobbitt | as Madison's Minion |
| Charles Townsend | as Madison's Minion |
| Al Kahn | as Madison's Minion |
| Béla Károlyi | as Himself |
| Tanoai Reed | as Wrestler |
| Joshua Miller | as Chess Kid |
| Clifford Happy | as Fleeing Suspect |
| Mushond Lee | as FBI Agent |
| Robert Forster | as Roger Wixon |
| Andrew Wilson | as Cop |
| Eric Bogosian | as Alan Caulfield |
| Travis Bobbitt | as Surfer |
| Ricky Carmichael | as Himself |
| Chris Gosselaar | as Himself |
| Carey Hart | as Himself |
| Jeremy McGrath | as Himself |
| Guy Oseary | as Restaurant Patron |
| Mark Cotone | as Prison Guard |
| Zack Shada | as Thin Boy |
| Ed Robertson | as Sheriff |
| Josh Janowicz | as Hot Priest |
| Tommy Flanagan | as Irish Henchman |
| Chris Pontius | as Irish Henchman |
| Jonas Barnes | as Irish Henchman |
| Luke Massy | as Irish Henchman |
| Big Boy | as Bosley's Cousin |
| Anthony Griffith | as Bosley's Cousin |
| Wayne Federman | as Bathroom Guy |
| Steve Hytner | as Bathroom Guy |
| Cecileo Moctezuma | as Reunion Dancer |
| Gabriel Paige | as Reunion Dancer |
| Marc John Jefferies | as Bus-Stop Kid |
| Shawn Huang | as Bus-Stop Kid |
| Michael Guarnera | as Antonioni Crime Boss |
| Bob Stephenson | as Crazed Fan |
| John Forsythe | as Charles Townsend |
| Mark Gantt | as Longshoreman |
| Lou Slaughter | as Basement Hostage |
| Sven-Ole Thorsen | as Machine Gun Mongol |
| Bruce Willis | as William Rose Bailey |
| Zachary Woodlee | as Reunion Dancer |
| Actresses | |
| Cameron Diaz | as Natalie Cook |
| Drew Barrymore | as Dylan Sanders |
| Lucy Liu | as Alex Munday |
| Demi Moore | as Madison Lee |
| Ja'net DuBois | as Momma Bosley |
| Eve | as Herself |
| Pink | as Coal Bowl Starter |
| Carrie Fisher | as Mother Superior |
| Jennifer Gimenez | as Nun |
| Kate Hendrickson | as Nun |
| Shanti Lowry | as Treasure Chest Dancer |
| Kasey Campbell | as Treasure Chest Dancer |
| Nadine Ellis | as Treasure Chest Dancer |
| Hannah Feldner-Shaw | as Treasure Chest Dancer |
| Cyia Batten | as Treasure Chest Dancer |
| Staci B. Flood | as Treasure Chest Dancer |
| Carmit Bachar | as Treasure Chest Dancer |
| Hayley Zelniker | as Treasure Chest Dancer |
| Joan Blair | as Beach Lady With Sandcastle |
| Ashley Olsen | as Future Angel |
| Mary-Kate Olsen | as Future Angel |
| Jaclyn Smith | as Kelly Garrett |
Movie info
| Languages: | English, Mandarin, Spanish |
| Filming dates: | 13 December 2002 - 24 January 2003 (reshoots) 3 June 2002 - 21 October 2002 |
| Budget: | USD 120,000,000 |
| Gross: |
USA - 99,518,415 USD (24 August 2003) UK - 8,792,163 GBP (20 July 2003) Worldwide - 158,345,677 USD (except USA) India - 4,433,000 INR (11 July 2003) Italy - 730,813 EUR (6 July 2003) Spain - 5,872,430 EUR (17 August 2003) |
| Plot: | Natalie, Dylan, and Alex, three glamorous, tough-as-nails, investigative agents - who work for the Charles Townsend Detective Agency - are sent undercover to retrieve two missing jewelry bands. These are no ordinary wedding rings. They contain valuable information that reveals the new identities of every person in the FBI's Witness Protection Program. After five of the program's participants turn up dead, only the Angels can stop the perpetrator, using their expertise as masters of disguise, espionage and martial arts. |
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Original Soundtracks
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"Feel Good Time" Written by William Orbit, Beck (as Beck Hansen) and Jay Ferguson Performed by Pink featuring William Orbit Produced by William Orbit Pink appears courtesy of Arista Records Contains a sample of "Fresh Garbage" Performed by Spirit Courtesy of Epic Records By Arrangement with Sony Music Licensing "Saturday Night's Alright For Fighting" Written by Elton John and Bernie Taupin Produced by Chad Kroeger Performed by Nickelback featuring Kid Rock Nickelback appears courtesy of Roadrunner Records Kid Rock appears courtesy of Lava/Atlantic Records "Rebel, Rebel" Written and Performed by David Bowie Courtesy of EMI Records, Ltd./Sony Music Entertainment, Inc. "Danger! High Voltage" Written by Tyler Spencer, Anthony Selph, Joseph Frezza and Stephen Nawara Performed by Electric Six Courtesy of XL Recordings "Livin' On A Prayer" Written by Jon Bon Jovi, Richie Sambora and Desmond Child Performed by Bon Jovi Courtesy of Island Records Under license from Universal Music Enterprises "Anyway You Want It" Written by Steve Perry and Neal Schon Performed by Journey Courtesy of Columbia Records By Arrangement with Sony Music Licensing "Surfer Girl" Written by Brian Wilson Performed by The Beach Boys Courtesy of Capitol Records Under license from EMI Film & Television Music "Working For The Weekend" Written by Paul Dean , Matthew Frenette and Michael Reno Performed by Loverboy Courtesy of Columbia Records/Sony Music Entertainment (Canada) Inc. By Arrangement with Sony Music Licensing "A Girl Like You" Written and Performed by Edwyn Collins Courtesy of Natural Energy Lab "I Just Want To Be Your Everything" Written by Barry Gibb Performed by Andy Gibb Courtesy of Polydor Records Ltd. (U.K.) Under license from Universal Music Enterprises "This Will Be (An Everlasting Love)" Written by Charles Jackson and Marvin Jerome Yancy Performed by Natalie Cole Courtesy of Capitol Records Under license from EMI Film & Television Music "U Can't Touch This" Written by Rick James , M.C. Hammer and Alonzo Miller Performed by M.C. Hammer Courtesy of Capitol Records Under Licence from EMI Film & Television Music "Last Dance" Written by Paul Jabara Performed by Donna Summer Courtesy of The Island Def Jam Music Group Under License from Universal Music Enterprises "Who Are You" Written by Pete Townshend (as Peter Townshend) Performed by The Who Courtesy of Polydor Records Ltd. (U.K.) and MCA Records Under license from Universal Music Enterprises "Firestarter" Written by Liam Howlett, Keith Flint, Trevor Horn, Anne Dudley, Jonathan Jeczalik, Paul Morley, Gary Langan and Kim Deal Performed by The Prodigy Courtesy of Maverick Recording Company/Beggars Banquet/XL Records/Mute Records By Arrangement with Warner Strategic Marketing Contains a sample from "S.O.S." Performed by The Breeders Courtesy of Elektra Entertainment Group/4AD By Arrangement with Warner Strategic Marketing Also contains a sample from "Close To The Edit" Performed by The Art of Noise Courtesy of ZTT Records "Breathe" Written by Liam Howlett, Keith Flint and Maxim Reality (as Keith Palmer) Performed by The Prodigy Courtesy of Maverick Recording Company By Arrangement with Warner Strategic Marketing "Block Rockin' Beats" Written by Tom Rowlands, Ed Simons and Jesse Bonds Weaver, Jr. Performed by The Chemical Brothers Courtesy of Virgin Records/Astralwerks Records By Arrangement with EMI Film & Television Music Contains a sample of "Gucci Again" Performed by Schoolly D Courtesy of Jive Records "Misirlou" Written by Nicholas Roubanis Performed by Dick Dale & The Deltones Courtesy of Dick Dale Records "Wild Thing" Written by Matt Dike, Marvin Young and Anthony Smith Performed by Tone Loc Courtesy of Delicious Vinyl "Nuthin' But A G' Thang" Written by Cordozar Broadus, 'Leon Haywood and Frederick Knight Performed by Dr. Dre Courtesy of Death Row Records Under license from Suge Publishing "Flashdance... What A Feeling" Written by Irene Cara, Keith Forsey and Giorgio Moroder Performed by Irene Cara Courtesy of Unidisc Music Inc. "The Pink Panther" Written by Henry Mancini Performed by Hollywood Studio Orchestra Courtesy of EMI Records Under license from EMI Film & Television Music "The Lonely Goatherd" Written by Richard Rodgers and Oscar Hammerstein II Courtesy of The Rodgers & Hammerstein Organization Soundtrack on Columbia/Sony Music Soundtrax "Sleep Now in the Fire" Written by Zack De La Rocha, Tom Morello, Brad Wilk and Timothy Commerford Performed by Rage Against the Machine Courtesy of Epic Records By Arrangement with Sony Music Licensing "Mickey" Written by Nicolas Chinn (as Nicky Chinn) and Michael Chapman Performed by Toni Basil Courtesy of Razor & Tie Direct, LLC "Through The Eyes Of Love" Written by Carole Bayer Sager and Marvin Hamlisch Performed by Melissa Manchester Courtesy of Arista Records, Inc. Under license from BMG Special Products, Inc. "Eine Kleine Nacht Musik" Written by Wolfgang Amadeus Mozart "Looks That Kill" Written by Nikki Sixx Performed by Mötley Crüe Courtesy of Mötley Records "Born Free" Written by John Barry and Don Black "Charlie's Angels 2000" Written by Jack Elliott and Allyn Ferguson Performed by Apollo 440 Courtesy of Epic Records/Sony Music Entertainment (UK) Ltd. By Arrangement with Sony Music Licensing "Centerfold" Written by Seth Justman Performed by J. Geils Band Courtesy of EMI Records Under license from EMI Film & Television Music "Thunder Kiss 65" Written by 'Ivan De Prume, Sean Yseult, Jay Yuenger and Rob Zombie Performed by White Zombie Courtesy of Geffen Records Under license from Universal Music Enterprises "Cape Fear" Written by Elmer Bernstein and Bernard Herrmann "Get Down Tonight" Written by Harry Wayne Casey and Richard Finch "Acetone" Written by Scott Kirkland and Ken Jordan Performed by The Crystal Method Courtesy of The Crystal Method, Inc. "Sleep Walk" Written by Johnny Farina, Santo Farina and Ann Farina Performed by Santo & Johnny Courtesy of BMG Ricordi S.p.A. Under license from BMG Special Products, Inc. "Planet Claire" Written by Henry Mancini, Kate Pierson, Fred Schneider , Keith Strickland , Cindy Wilson and Ricky Wilson Performed by B-52's Courtesy of Warner Bros. Records Inc. By Arrangement with Warner Special Products, and Courtesy of The Island Def Jam Music Group Under license from Universal Music Enterprises, and Courtesy of Man Woman Together Now! Inc. "Hooray For Hollywood" Written by Richard A. Whiting and Johnny Mercer "Scene D'Amour"/"The Nightmare" from "Vertigo" Written by Bernard Herrmann Performed by The City of Prague Philharmonic Orchestra Conducted by Paul Bateman Courtesy of Silva Screen Records Ltd. By Arrangement with Source/Q "Raindrops Keep Fallin' On My Head" Written by Burt Bacharach and Hal David Performed by B.J. Thomas Courtesy of King Records Inc. "NAS' Angels... The Flyest" Written by Nas (as Nasir Jones), Pharrell Williams and Chad Hugo Performed by Nas featuring Pharrell Williams (as Pharrell) NAS appears courtesy of Columbia Records Pharrell appears courtesy of Virgin Records |
Goofs
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Continuity: The Bell System logo (embossed in the bottom left corner of the speaker phone) disappears in some scenes. Continuity: The bullet hole on Natalie's top disappears when the Angels get up off the ground. Continuity: Beer bottles on the table at the beginning of the movie disappear and reappear between shots. Continuity: When Bosley (as a crossing guard) is in the middle of the road, attempting to stop Ray Carter in his car, the waiting children disappear and reappear between shots. Crew: When Bosley is in the middle of the road as a crossing guard, just after Carter stops, you can see the reflection of a crew member moving in the hood ornament on the car. Continuity: At the beginning of the movie, Alex is wearing very high, sharp stilettos (there is a close-up of them when she lands after doing a leap over the table). But a little later, when the Angels jump out of the window and roll down the hill to get away from the Mongolians, her heels are chunky and short. Continuity: While Seamus is holding Dylan in the air by her throat after they had stolen the rings, there is a close-up of her chunky shoes. Later when the three Angels are breaking out through the roof, they are all wearing heels. Continuity: At the beach, Natalie is chatting with the surfer while Alex and Dylan are under the car collecting his items. The camera cuts to the girls under the car and you can see the surfers legs in the towel, yet he is supposedly in the car already about to drive off. Revealing mistakes: The walls visibly indent when Natalie tries to push open the locked bathroom door at the high school reunion. Continuity: During opening sequence, the screws of the box that Alex is hidden in are located away from the box's edges. After the box cover is open, the box is quite thin and screws located that far away from the edge would not hold the box together. Continuity: In the bike sequence, the sky is mainly clear of clouds, but one shot from below a jumping bike shows a sky fully covered with high clouds. Continuity: When Madison shoots at the Angels at the observatory, Natalie is in the middle with Alex to her right and Dylan to her left. However, when they land on the grass over the wall, Dylan is in the middle with Alex to her left and Natalie to her right. Continuity: The tattoo at the base of Seamus' neck appears and disappears. Crew: The wires attached to Madison are visible in the final combat sequence in the theater. Continuity: As the Angels walk across the grass at the observatory, the sprinklers turn on and they're obviously getting wet. But, in the close-up after the car explodes, they're all dry and the sprinklers have switched off again. Continuity: At the beginning of the Coal Bowl, the surfer lines up at the starting line apparently topless, but in the next shot, he appears again in full motocross vest and helmet gear. Continuity: When the Thin Man hits the bridge at the coal bowl, the dummy's boots remain attached to the bike, but when the Thin Man gets up, he has both his boots on. BOOM: During Madison Lee's verbal confrontation with Charlie (on speaker), the shadow of the mike falls on the desk SYNC: When Alex is in the chess match and replying to the little boy's silent plea, her teeth can be heard clicking together when she opens her mouth, instead of when she closes it. Crew: When Charlie's speaker box is shot by Madison, the wires which were part of the pyrotechnic charge used to explode it pop up into frame and stay there. Continuity: Near the end when the angels and fighting with Madison, in one scene she is hit in the mouth and you can see her mouth is all bloody. In the next scene when she falls, her teeth are perfectly white again with no sign of blood. Continuity: When Madison is on the roof of the Los Angeles Theater she looks into the telescope pointed at the Roosevelt Hotel rooftop and it looks as if she is looking down at everyone getting busted by the FBI. In the next shot it is obvious that the Roosevelt Hotel is a much taller building. Continuity: After Seamus falls to the ground, the Thin man's eyes are open. The next shot shows his eyes closed. Continuity: When Seamus falls on top of the Thin Man and gets stabbed by the sword you can see that the sword is no longer in the Thin Man. Continuity: Madison throws Natalie into one of the skylights on top of the Los Angeles Theater and breaks two of the panels. When she gets up, the skylight is not broken. Continuity: When Ray Carter is driving his car and talking to Madison on the phone, the seatbelt is alternately over his shoulder / behind his back. Continuity: When Ray Carter arrives at the Observatory he is no longer wearing his coat. Continuity: When Seamus delivers the briefcase to the old black man, his bodyguard is behind him with his right hand just inside his coat on his left breast pocket. In the next shot, the bodyguard has his arms crossed. Continuity: The roll bar behind Ray Carter as he is driving his Maserati alternates between red and black. Crew: When they are fighting Dylan's ex after getting the rings back, you can see the wire from where the girls jump in the air are in a couple of shots. Revealing mistakes: The Sony TV that Alex carries into Natalie and Pete's house is an obvious hollow plastic model; there's a hole in the speaker near her right hand that shows it's hollow on the inside. Also, the remote control on top of it seems to be glued on top of the model. The way the model is being carried, it should fall off. Continuity: As Alex, Bosley and Natalie are looking through Dylan's Box of possessions, the cover of The Beatles compilation album 1962-66 can be seen. The orientation of the cover changes between shots - the barcode appears and disappears. Continuity: When the Angels are dancing to "Hammer Time" and all three leap onto the sofa and tip it over, Alex is wearing high wedge sandals. When she falls into the sofa after it flips over her bare foot is visible. Continuity: In the opening sequence when the Angels are escaping the Mongol headquarters, Ray Carter is standing behind Dylan when the bullets start flying and the girls start their leaps to crash through the windows. In the shot of the beginning of the leap, Carter is nowhere to be seen. The next shot of the characters crashing through the windows to the ground, Carter has crossed over somehow to be exiting not only the same window as Alex, but is ahead of her. Continuity: The slide on one of the two Desert Eagle pistols that Madison is using at the observatory locks back, indicating that the last round has been fired. One second later, the slide is forward again, without any reloading. Continuity: When the Angels first meet Bosley, his glasses are alternately on/off between shots. Continuity: During the final fight with Madison and Natalie, Natalie's hair is falling over her face as she says, "Go to hell," but in the next shot her hair has been pulled back and has been sprayed with water to keep it there. Continuity: After the Angels exit the sprinklers at the observatory, Natalie's shirt changes to being below her shoulder to on it, without any sign of moving. Continuity: Natalie and Madison have just crashed into the theater. When the girls are recovering, Madison has a scab on one of her arms but in other shots, it's missing. Continuity: The girls are escaping Seamus and the O' Grady clan. When Alex and Natalie jump into the speedboat, Natalie has flat shoes on. However, earlier while the girls were fighting, her boots were heels, not flats. Continuity: In the scene with the surfer you see his towel and feet next to the car under which Alex and Dylan are lying. Then he gets into his car. In the next shot you see Alex and Dylan again under his car with the surfer's feet and towel still in front of them. Revealing mistakes: When Madison and Natalie are fighting on the rooftop, the antenna Madison kicks at Natalie begins falling over before she kicks it. Continuity: When Dylan is thrown off the Los Angeles Theater, she lands on the big E. She is seen falling and she first hits the top of the E and grabs the bottom, but in the next shot she is seeing holding the top of the E. Continuity: At the 10-year graduation reunion when Natalie is peeing in the men's restroom she smiles showing an orthodontic wire on her teeth, later on the dance scene she smiles again, and the wire is gone. Revealing mistakes: At the observatory, when the car explodes, you can clearly see the reflection of the exploding car in the wet sidewalk, but no reflection of the 3 girls being blown backward. Continuity: When Alex and Natalie are going through the box, they show the boots that Dylan left behind. When they are fighting on the roof, she's wearing the same boots. GEOG: The school crosswalk faces a cliff: the kids have, literally, nowhere to go after Bosely crosses them. PLOT: SPOILER: The Angels' showdown with Madison was such that each required medical attention, especially for the glass shard stuck in Natalie's belly, yet shortly afterward, they put on fancy clothes meet Bosley at the premier without a scratch. CHAR: Dylan referred to a pair of 1991 Nike Air Jordans as being 1989 model. FAIR: The Thin Man seemed to have been killed in Charlie's Angels (2000), but is back alive. McG has explained that this seemingly superhuman quality is the tongue-in-cheek mystique of this illogical, larger-than-life character. CHAR: Seamus O'Grady states that he has been in jail for 2920 days=8 years. With leap years, 8 years have either 2921 or 2922 days. Continuity: When Alex is doing gymnastics, all the judges put up their cards which all read ten, but one of the cards just suddenly turns into a blank card. Continuity: While rescuing Carter, Natalie breaks into the tank by punching the driver's side window with her fist. But for the rest of the sequence, the window frame is clean, as if it were rolled down, and there is no blood on Natalie's hand. Continuity: As the girls walking toward the car, there are getting soaked by the sprinklers. When we cut to an overhead shot of the girls and the car just before the car explodes, there are no signs of the sprinklers or the water. |
Quotes
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Natalie Cook: I have something you'll never have. Madison Lee: What's that? [pause] Natalie Cook: Friends. Kelly Garrett: Angels are like diamonds. They can't be made, you have to find them. Each one is unique. Madison Lee: I was never good. I was great. Bosley's Brother: It's raining white women. Seamus: I'd recognize that arse anywhere, you piece of shite. Seamus: I've never wanted you more. Dylan Sanders: Always wanting what you can't have. Alex Munday: Marshal Ray Carter. I'm Alex Munday. I'll be your rescuer today. Carter: I didn't think you'd find me. How many men do you have? Alex Munday: I've got two girlfriends in the bar. Carter: They have fifty armed men. Alex Munday: I know. It hardly seems fair. C'mon! Natalie Cook: This is hostel, ya? [surprising Natalie] Madison Lee: What's up, Angel? Natalie Cook: Madison Lee? Madison Lee: Natalie Cook. Natalie Cook: Oh, my god! How'd you know? Madison Lee: I get the newsletter. Madison Lee: I don't take orders from a speaker-box anymore. I work for myself. Natalie Cook: Well, your boss sucks. Dylan Sanders: I think she's trying to kill us. Bosley: I got sand all in my ass. I can't hardly walk. Alex Munday: Get off the babysitter. Daddy's home. Madison Lee: Why be an Angel when I can play God? [spotting their suspect] Alex Munday: Check it out... brown shorts, red board, 11:00. What d'you think? Dylan Sanders: [looking at the guy] Yummy!... Alex Munday: That's what I thought. Case closed. Nat move in, Dylan thinks he's hot. Dylan Sanders: What do you mean? Alex Munday: You always fall for the bad guy. Natalie Cook: Killer, huh? I just got so excited. When it's big like that I just love to ride it hard and rough. Max: Helen Zass. So, uh, where's that, where's that name come from originally, is that, uh "Ass-Tralian"? [last lines] Alex Munday: Oh, it's a no-brainer. [Dylan, undercover as a nun, is eyeing a sexy young priest] Alex Munday: [under her breath] Thornbirds. Dylan Sanders: [under her breath] I know! Mr. Munday: So, you work with Alex at the hospital? Alex Munday: Yes! Natalie works in the Psychiatric Ward. And Dylan is the Head of... Gynecology. Mr. Munday: Really? Dylan Sanders: Um-hmm. Mr. Munday: So young. Dylan Sanders: I know. Alex Munday: We were just on our way out, actually, 'cause we have such a major procedure coming up, Daddy, so... Natalie Cook: Duty calls. Sorry. Dylan Sanders: I've gotta... prep. Natalie Cook: Yeah... scrub up. Ha ha. Mr. Munday: Bu- bye. [Natalie and Dylan say "Bye" together] Mr. Munday: Bye. Alex Munday: See you guys in a minute. It's just a tiny emergency, but make yourself at home, okay. [Kisses him on the cheek] Mr. Munday: We'll talk later, off to the hospital, go save lives... [the Angels have left; He looks confused] Head of Gynecology? Bus-Stop Kid: [Bosley just rubbed him on the head] Man! You do not mess with a black man's do! Natalie Cook: Bring it on, bitch! Madison Lee: [thinking that she's about to kill Charlie's Angels] Enjoy heaven. Natalie Cook: Go to hell. Alex Munday: [the Angels kill Madison; she dies amid flames] She's so fired. Alex Munday: [after Madison Lee shoots the Angels] What a be-atch! Max: Helen Zass. That's your name. [Looks over at Bosley] . Is that, uh, Ass-tralian? Natalie Cook: Oh my god! You must have been the butt of every joke! Alex Munday: Did you by chance drive an Ass-tin Martin? Natalie Cook: Alex! We're being Ass-inine! Dylan Sanders: Yes. Yes you are. Dylan Sanders: And all we have is the Thin Man. Natalie Cook: Our Favorite Ass-Ass-in Alex Munday: [Holding the medal] We should get this to the lab to have it anal-ized. Dylan Sanders: You do that. Natalie Cook: You were the cock. I was the beaver! Natalie Cook: Tickets, I love tickets! Chess Opponent: What's an angel doing so far from heaven? Dylan Sanders: I'm no angel. Bosley's Brother: [dressed as a Coroner] I'm not going anywhere near no dead bodies! Dylan Sanders: You don't know me any more. Seamus: I'm the only one here who knows you Helen. Natalie Cook: Do a little dance? Dylan Sanders: Make a little love. Alex Munday: Get down tonight. Bosley's Brother: Plan B stands for Plan Bosley! Dylan Sanders: [after crashing out of bar window] Just once I'd like to walk out of a bar! Charles Townsend: Bosley, I hope the Angels aren't being too rough on you. Bosley: Man, please. I date fat women. What you talkin' 'bout? [the Angels prepare to battle Madison] Madison Lee: Oooh! The classic Angels Kick-Ass pose. Almost gives me a nostalgia for the old days. Except back then, we did things a little differently... [quickly pulls out two large weapons] Madison Lee: ...we used *guns*! [shoots all three Angels] Madison Lee: Sorry, Charlie. Dylan Sanders: Just once, I'd like to *walk* out of a bar! Madison Lee: I never wore Kevlar till I took three in the chest Natalie Cook, Dylan Sanders, Alex Munday: On the De Soto case - we know! Alex Munday: Keep Dreaming! Ray Carter: [after spectacular rescue] I'm afraid I underestimated you guys. Natalie Cook: Yeah, that happens a lot... |
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