Watch "Fear" Full Movie Online
|Mark Wahlberg||as David McCall|
|William Petersen||as Steve Walker|
|Christopher Gray||as Toby|
|Tracy Fraim||as Logan|
|Gary Riley||as Hacker|
|Jason Kristofer||as Terry|
|Jed Rees||as Knobby|
|Todd Caldecott||as Gary Rohmer|
|John Oliver||as Eddie Clark|
|David Fredericks||as Larry O'Brien|
|Ravinder Toor||as Counterman|
|Andrew Airlie||as Alex McDowell|
|Will Sengotta||as Kid at Door|
|L. Harvey Gold||as Peterman|
|Damir Skovrlj||as Friend at Party|
|Reese Witherspoon||as Nicole Walker|
|Amy Brenneman||as Laura Walker|
|Alyssa Milano||as Margo Masse|
|Jo Bates||as Julie Masse|
|Rana Morrison||as Girl in Club|
|Filming dates:||30 September 1995 - 22 December 1995|
|Plot:||When all Nicole wants is to meet prince charming she and her best friend Margo go to the club largo to meet David while her friend meets his friend. So when they both are dating the two of them Nicole and David fall in love until one day she follows David home to see him raping her best friend, she doesn't want to talk to him anyone and his love for her turns into a deadly obsession|
"Jessica" Written by Dickey Betts Performed by The Allman Brothers Band Courtesy of Polydor Records By Arrangement with PolyGram Special Markets Unichappell Music, Inc. & F.R. Betts Music Co. All Rights Administered by Unichappell Music, Inc. (BMI)|
"Green Mind" Written by Sean Carlin, Jer Herring, Adam Sherburne, Phillip Stier (Contains Samples of "Friendly Fascism") Performed by Dink Courtesy of Capitol Records Under License from CEMA Special Markets Warner-Tamerlane Publishing Corp. & Amusement Control All Rights Administered by Warner-Tamerlane Publishing Corp. (BMI) Music Corporation of America, Inc. (BMI)
"Comedown" Written by Gavin Rossdale Performed by Bush Courtesy of Trauma/Interscope Records By Arrangement with Warner Special Products Warner-Tamerlane Publishing Corp. & Truly Soothing Elevator Music All Rights Administered by Warner-Tamerlane Publishing Corp. (BMI)
"Wild Horses" Written by Mick Jagger, Keith Richards Performed by The Sundays Courtesy of DGC Records ABKCO Music, Inc. (BMI)
"Machinehead" Written by Gavin Rossdale Performed by Bush Courtesy of Trauma/Interscope Records
"Something's Always Wrong" Written and Performed by Toad the Wet Sprocket Courtesy of Columbia Records By Arrangement with Sony Music Licensing Sony Tunes, Inc./Wet Sprocket Songs (ASCAP)
"Animal" Written by Kevin McMahon Performed by Prick Courtesy of Nothing/Interscope Records By Arrangement with Warner Special Products Warner-Tamerlane Publishing Corp., Interscope Pearl Music, Inc. & Lucky Pierre Music All Rights Administered by Warner-Tamerlane Publishing Corp. (BMI)
"Stars and Stripes Forever" Written by John Philip Sousa (as John Phillip Sousa) Arranged and Adapted by Mike Linn Performed by C.H.S. Municipal Band Courtesy of Total Post Production, Inc. Total Post Production, Inc. (ASCAP)
"The Illist" Written by Mark Wahlberg , Fabian Cooke Performed by Mark Wahlberg (as Marky Mark) Courtesy of Interscope Records By Arrangement with Warner Special Products WB Music Corp. & Donny D Music All Rights Administered by WB Music Corp. (ASCAP) Seven Peaks Music, Inc./Bag-A-Songs All Rights for Bag-A-Songs Administered by Seven Peaks Music, Inc. (ASCAP)
"Irie Vibe" Written by Mark Wahlberg , Fabian Cooke Performed by One Love Courtesy of Solely Blunted Productions, Inc. Solely Blunted Publishers (ASCAP) Seven Peaks Music, Inc./Bag-A-Songs All Rights for Bag-A-Songs Administered by Seven Peaks Music, Inc. (ASCAP)
Continuity: Steve Walker is on the phone in his office. In one frame he is holding the phone in his left hand. In the next frame he is cradling it with his shoulder, then reaches up with his left hand to hang it up. It is also momentarily a cordless model.|
Continuity: The note that Nicole writes, and the note that David writes, both have the same handwriting.
Continuity: When Margo comes to visit Nicole at her home it is dark outside. When the two girls go outside a few minutes later it is light.
Continuity: When David hits himself in the chest repeatedly after he talks with Mr. Walker, Nicole comes home and tells her dad that she saw bruises all over his chest, but shortly after David carves "Nicole 4 Eva" on his chest, there are no bruises or any marks.
Continuity: After Nicole is nearly attacked by Logan and she is sitting up on the bed, her shirt goes back and forth from being ripped at the sleeve and exposing her bra strap to being untouched.
Fact errors: The coded door lock is mechanical not electrical; therefore the "beeping" sound is fake and the door's lock is in no way attached to the security system.
Continuity: At the start of the movie, when Nicole, Margo and Gary are in the bar, Nicole's hair changes from neat to messy numerous times.
SYNC: When David and his friends go to Margo's house so that David can apologize to Nicole, she attempts to leave in her SUV. When the camera is focused on the back of the vehicle, you can see the reverse lights on but can also hear the engine turning over at the same time. The reverse lights only come on when the vehicle is in reverse and also cannot be started unless it's in park or neutral.
Continuity: During the fun park scene, while David and Nicole are kissing, her left hand is caressing his cheek and her nails aren't manicured. The next scene, on the roller coaster (pulling up the bar), all of her nails are done with tips. Then, when David is touching her thighs, the manicure is gone.
Continuity: (At 24:00) Nicole and David enter Steve's office when Steve is on the phone, and Steve is wearing a watch. In the next shot of Steve, a few seconds later, he is no longer wearing the watch.
Revealing mistakes: Where David goes into the Bathroom to wash his hands, when he comes out and talks to Mr Walker, you can see a hand in the bathroom (next to the wall, behind the door) drying their hands on the same towel as well. Gives the impression that there is somebody else in the bathroom lined up against the wall.
Continuity: When Nicole gets up from playing a video game with her brother, her video game avatar continues to jump about and fight on the television screen.
Continuity: When Nicole and Margo are in the bar for the first time, we hear and see Nicole ask Margo "What do you want to eat?" and then we see her instantly ask "What do you want to eat?" a second time.
SYNC: When David and his friends are about to invade the Walker house and Laura is opening the door, we hear David say to his friend "Terry, go out there and keep a watch." But his mouth says something different.
Continuity: We see and hear Margo being brutally beaten and punched in the face. But a short time later, she only has a swollen cheek.
Continuity: After Steve throws David out the window, we see an extremely swollen-faced Margo calm Toby in the hallway. When she enters Nicole's room moments later, her face is no longer swollen.
Revealing mistakes: When David carves the tattoo "Nicole 4 Eva" on his chest, we see him use a broken piece of pen to carve the letters. A moment later he hoses off the blood and then wipes down his chest. Not only would the blood continue to run out of the cuts immediately, but there are no signs of any cuts on his chest. Its obvious the words were simply written on.
CHAR: When Margo comes into the house and says they found Gary dead; she says that he was beaten to death - however, David snapped his neck.
Nicole Walker: Isn't this the car they stopped making 'cause it, I|
don't know, blows up or something?
David McCall: Guess that's why I got her.
Nicole Walker: Everybody says one thing and then does another.
Margo Masse: Do yourself a favor and don't think so much. It gives
you premature wrinkles.
Laura Walker: What's the big deal?
Steve Walker: The big deal, Laura, is that the guy gives me the
creeps, and the girl is my daughter.
Gary Rohmer: The Washington Post has got to see something before they
can make me Editor.
David McCall: Hey Mr. Walka!
David McCall: You filthy little whore!
Nicole Walker: My dad hates him, that's for sure.
Margo Masse: Well that means that he knows you're sleeping together,
you know it's that usual weirdo jealousy trip.
Nicole Walker: How could he possibly know we were sleeping together?
Margo Masse: Caught ya, ya hoe! You never told me you were screwing
him! You'll always remember your first, not your second, not your
third, just your first.
David McCall: You're not dancing.
Nicole Walker: I know.
David McCall: Daddy, you will forever hold your peace.
Nicole Walker: Dad?
Steve Walker: Daughter?
Nicole Walker: Is it absolutely mandatory that I see James Taylor
Steve Walker: When did you ever see a James Taylor concert?
Nicole Walker: You, me, Mom, summer of '85. Does that ring any bells?
Steve Walker: '85? You'd have been...
Nicole Walker: Six.
Steve Walker: Oh, come on, that doesn't count. I'm surprised you even
Nicole Walker: I don't think there's a thing that's ever happened -
or not happened, for that matter - that I don't remember. You're
the one who blocks out the past.
Steve Walker: Nicole, I don't block out anything. It just takes
longer to... sort through 40 years of... data than it does 16.
Nicole Walker: Maybe you oughta consider upgrading to a faster chip.
Steve Walker: [laughs] You know, sometimes you're pretty funny.
Nicole Walker: I have my moments.
David McCall: [At the door] It could of all been different Mr.
Walker. You should have let neature take its course... but in the
end, it will anyway.
David McCall: SO LET ME IN THE FUCKING HOUSE!
David McCall: Nicole, get me a Coke.
David McCall: Just you and me Nicole, nobody else.
Nicole Walker: Nobody else [kisses David back]
David McCall: Do you want me?
Nicole Walker: Yes.
David McCall: Tell me, tell me you want me.
Nicole Walker: I want you David.
David McCall: Yeah?
Nicole Walker: [nods her head] David?
David McCall: Yeah?
Nicole Walker: I love you.
Laura Walker: [calling upstairs to Nicole in the shower] Nicole, save
some hot water for your father!
Steve Walker: [physically fighting David] Now, you get out of here!
Steve Walker: David, I don't want to beat around the bush. I came to
tell you that you're gonna stop seeing Nicole. Now, either you're
as smart as you think you are and you'll just go away, or else
you're gonna make things a lot harder on yourself than they have to
David McCall: You know, Steve, you're really not a faggot.
Steve Walker: ...What?
David McCall: No, I'm serious. You seem like a pretty solid guy; you
should lighten up on yourself.
Steve Walker: We're not talkin' about me, we're talkin'...
David McCall: Yes we are. That's what this whole thing's about,
Steve. Your inadequacies. Your fears.
Steve Walker: You just wait a minute...
David McCall: Listen to me. See, I'm hip to your problems. All of
'em. I know you abandoned Nicole when she needed you most... 'cause
I licked her sweet tears. I know about things comin' apart at work.
Maybe you fuckin' lost it in that department. I also know you ain't
keepin' up, so to speak, your end of the bargain with the missus.
'Cause if you were she wouldn't be all over my stick. Relax, Steve.
We're friends. We're practically family.
Steve Walker: I want you to understand somethin', pal. If you don't
disappear from my family's life, I'm gonna rip your balls off and
shove 'em so far up your ass they'll come out your fuckin' mouth!
You got that, my friend?
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