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Susan Sarandon
Ellen Burstyn
Eileen Atkins
Brad Pitt
Ned Beatty
Jude Law
Crispin Glover
Faye Dunaway

Watch "She's Out of My League" Full Movie Online

Information

Year: 2010
Rating: 6.7(17110)
Listed in: Comedy, Romance
Directed by: Jim Field Smith
Actors: Jay Baruchel T.J. Miller Mike Vogel Nate Torrence Alice Eve Lindsay Sloane
  "It'll all add up March 12"

Cast

 Directed by
Jim Field Smith  
 Actors
Jay Baruchel as Kirk
T.J. Miller as Stainer
Mike Vogel as Jack
Nate Torrence as Devon
Kyle Bornheimer as Dylan
Adam LeFevre as Mr. Kettner
Geoff Stults as Cam
Hayes MacArthur as Ron
Andrew Daly as Mr. Fuller
Trevor Eve as Mr. McCleish
Adam Tomei as Randy
Patrick Jordan as Bowler
Tom Stoviak as Museum Director
Rick Applegate as "Plane Doctor"
Chuck Aber as Pilot
Jason McCune as Restaurant Patron
Evan Alex Cole as Scotty Reese
Joseph F. Eberle as Hockey Bartender
Phil Spano as Hockey Coordinator
Jeff Adams as Hockey Player
Mila Cermak as Hockey Player
Mike Gaffney as Hockey Player
Todd Gally as Hockey Player
Jim Gricar as Hockey Player
Rob Hofmann as Hockey Player
Jason C. Lewis as Hockey Player
Ed Nusser as Hockey Player
Jory Rand as Hockey Player
Matthew Richert as Hockey Player
Tom Rieck as Hockey Player
Joe Sager as Hockey Player
Tony Amen as Airport Passenger
Aaron Bernard as First Class Passenger
Harold 'Hank' Clark as Airport Patron
Sidney Crosby as Himself
Jonathan Eldell as Traveler
Josiah Hoffman as Pilot Smith
Aron Elvis Honick as Airport Patron
Jeffrey Jones as Airport Admirer
William Kania as Pittsburgh Penguins Hockey Fan
Sean P. McCarthy as Airport traveler
Ian Michael as Restaurant Goer
Jeremy Moon as Airshow Worker
David Santiago as Club Patron
James Viscusi as TSA Agent
Blase Ward as Airport Patron
James Werley as Airport Person
 Actresses
Alice Eve as Molly
Lindsay Sloane as Marnie
Jessica St. Clair as Debbie
Krysten Ritter as Patty
Debra Jo Rupp as Mrs. Kettner
Kim Shaw as Katie
Jasika Nicole as Wendy
Sharon Maughan as Mrs. McCleish
Robin Shorr as Tina Jordan
Heather Leigh as Flight Attendant
Yan Xi as Karen
Cristina Aloe as Airport Traveler
Jacqueline Evancho as Extra
Minda Fisher as Airport Passenger
Jessica Joslin as Scandanavian Blonde #2
Alexis Kupka as Herself
Stephanie Macdougall as Airport Passenger
Lorelei Mahoney as Passenger
Laurie Mann as Hockey Crowd Extra
Tiffany Sander McKenzie as Airline Passenger
Jillian O'Neil as Woman with Sweater
Gaynelle W. Sloman as Party Guest/Driver on Bridge

Movie info

Languages: English, Ukrainian
Filming dates: 27 March 2008 - ?
Gross: USA - 9,775,278 USD (14 March 2010)
UK - 893,336 GBP (13 June 2010)
 
Plot: Kirk is a nice guy, who finishes last. He's an airport security guard in Pittsburgh, his ex-girlfriend hangs out at his parents' house with her new guy, he's out of shape and uncoordinated, and his car's a junker. At the airport, he finds the phone of a stunning, successful blonde, Mollie, and when he returns it, she offers dinner as thanks. She enjoys his company - he's unassuming and safe - and he's dazzled. His three friends warn him that she's out of his league and offer bad advice; he knows it will end soon and stumbles through a series of embarrassing moments. His ex has gotten jealous and invites him back: should he return to where he belongs? All roads lead to the airport.

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Original Soundtracks

  "Wannamama" Written & Performed by Pop Levi Courtesy of Counter Records By Arrangement with Zync Music Inc.
"Doin' My Thing" Written by Ali Dee (as Ali Dee Theodore), Zach Danziger & Julian Davis Performed by King Juju Courtesy of DeeTown Entertainment
"Say What You Want" Written by Ali Dee (as Ali Dee Theodore) & Jason Gleed Performed by The Deekompressors Courtesy of DeeTown Entertainment
"Happy Drunk(Pigmix)" Written by Niklas Sörevall & Patrik Nilsson Performed by Cosmic Ballroom Courtesy of Roasting House By Arrangement with pigFACTORY USA LLC
"Chelsea Dagger" Written by John Lawler Performed by The Fratellis Courtesy of Universal-Island Records Ltd. Under license from Universal Music Enterprises
"Over My Head(Cable Car)" Written by Joseph King & Isaac Slade Performed by The Fray Courtesy of Epic Records By Arrangement with SONY BMG Music Entertainment
"Something About You" Written by John Kastner Performed by All Systems Go! Courtesy of John Kastner By Arrangement with Big Sounds International, Inc.
"Carry On Wayward Son" Written by Kerry Livgren Performed by Kansas Courtesy of Epic Records By Arrangement with SONY BMG Music Entertainment
"Coming Home" Written by Keith Slettedahl Performed by The 88 Courtesy of The Island Def Jam Music Group Under license from Universal Music Enterprises
"Trust What You Feel" Written by Jonathan Spottiswood Performed by Bronwen Exter Courtesy of Grantham Dispatch Records By Arrangement with Ocean Park Music Group
"Many The Miles" Written & Performed by Sara Bareilles Courtesy of Epic Records By Arrangement with SONY BMG Music Entertainment
"Hot Girls In Love" Written by Paul Dean & Bruce Fairbairn Performed by Loverboy Courtesy of Columbia Records By Arrangement with SONY BMG Music Entertainment
"What Gods Are These" Written by Lee Baker, Neil MacKenzie & Gregory Saunders Performed by My Federation Courtesy of A&G Sync
"Use Me" Written & Performed by Bill Withers Courtesy of Columbia Records By Arrangement with SONY BMG Music Entertainment
"Diamond In The Rough" Written by Joel O'Keefe Performed by Airbourne Courtesy of Roadrunner Records & EMI Music Australia PTY Limited
"She's So High" Written & Performed by Tal Bachman Courtesy of Columbia Records By Arrangement with SONY BMG Music Entertainment
"Kiss On My List" Written by Daryl Hall & Janna Allen Performed by T.J. Miller & Adam Tomei
"Everytime You Go Away" Written by Daryl Hall Performed by T.J. Miller & Adam Tomei
"I've Underestimated My Charms (Again)" Written by Owen Holmes, Kevin Snow, Dawn Watley, Ali Youngblood & Reginald Youngblood Performed by Black Kids Courtesy of Columbia Records and Almost Gold Recordings By Arrangement with SONY BMG Music Entertainment
"Dream Catch Me" Written by Newton Faulkner, Crispin Hunt & Gordon Mills Performed by Newton Faulkner Courtesy of Columbia Records and Sony BMG Music Entertainment (UK) Ltd. By Arrangement with SONY BMG Music Entertainment
"Untouchable" Written by Neal Carlson Performed by Mink Courtesy of Grey Nurse Music c/o London Calling UK Ltd.
"Cold Hard Bitch" Written by Christopher Cester, Nicholas Cester & Cameron Muncey Performed by Jet Courtesy of Atlantic Recording Corp. By Arrangement with Warner Music Group Film & TV Licensing
"Beauty And The Beast" Written by Howard Ashman & Alan Menken
"Undiscovered" Written by James Morrison, Steve Robson & Martin Brammer Performed by James Morrison Courtesy of Polydor Records Ltd. (UK) Under license from Universal Music Enterprises

Goofs

  Revealing mistakes: Towards the end of the film when Stainer is trying to get Molly onto the departing plane to meet Kirk, he is pushing through some departure lines when he suddenly makes a roar of triumph or despair with his voice. A blond woman in the line clearly is seen really trying to stifle a laugh though she wasn't being very successful at it. As an extra in the film she probably knew the shout was coming but couldn't stop from laughing.
Continuity: When Molly goes through airport security, she is asked to remove her belt before going through the metal detector which she does. In the next shot (going through the metal detector) she is wearing it and the next shot, she it putting it back on.
Revealing mistakes: After the main character "jizzes" in his pants, dog food can be seen on his spot to make the dog lick it.
Revealing mistakes: When Molly and Kirk are on their date at the fancy restaurant, and they leave, Molly's iPhone rings, but the screen does not light up.
Revealing mistakes: In the "sex" scene in Molly's bedroom during which Jay Baruchel has his shirt off, you can clearly see cover-up makeup to hide his maple leaf tattoo over his heart, because the shade of makeup does not match his skin tone.
Continuity: When Dylan pulls off his shoe after the hockey in the basement, he pulls it off, then when it cuts back to him its back on, then when it cuts back again its off and he is storming up the stairs.
PLOT: After Kirk makes his speech on the plane and the flight attendant won't let him off, the flight attendant tells him the flight is full and he needs to get back to his seat. Shortly after Molly arrives, a ticket is issued to her for that flight by his friend Devon. This could not be possible because the flight is full.
Continuity: When Kirk is on the couch talking to Marnie near the start of the film, the pillows on the sofa change position slightly from shot to shot.
Revealing mistakes: When we first see Ron, a grandfather clock behind him reads 3:35. Over 2 minutes later, the minute hand has not moved even though the clock can be heard ticking and the pendulum can be seen moving.
Continuity: Just before the altercation in the bowling alley, Stainer puts his beer on the scoring table. After things cool down, he sits down without picking up his beer. While sitting and in a continuous conversation that does not show him getting his beer or someone handing it to him, the beer is seen on the scoring table in one shot and then suddenly is in his hands two shots later. In subsequent shots while they're debating Kirk's hotness number, Stainer's beer bottle is alternately seen both in his hands and on the scoring table.
Revealing mistakes: Kirk spills at least 8 ounces of coffee while walking away from the coffee stand, but doesn't react with any pain. The coffee would have been very hot since he just got it. Also, he doesn't bother to pick up the lid he dropped or make sure the liquid on the floor is mopped up so someone doesn't slip and fall. One would hope any federal employee, much less a TSA guard, would be more conscientious, especially someone who is supposedly a "great guy".
Revealing mistakes: When Kirk and Molly walk in the house, Mr. K is watching TV. He and Mrs. K get up to greet the visitors and the TV volume goes down even though nobody touched the TV or a remote. And it's not just distance from the TV because when the volume goes down, you can hear the grandfather clock ticking and that's farther away from the action than the television.
Continuity: When Dylan is at the edge of the pool, there are two beer cans on either side of him. In the front angle, the can on the left is sideways and you can see the oval logo on both sides of the can. However, in the back view in the next shot, the can has suddenly rotated 90 degrees with nobody touching it: one of the oval logos is now facing the camera. The logos should have been on the sides whether viewed from front or back.
Continuity: When Cam comes up to Kirk at the air show, during a continuous conversation, one shot shows Cam's hand completely on Kirk's right shoulder but the next shot shows Cam still reaching across Cam's back to grab his shoulder.
Continuity: When Kirk & Molly have their fight after Katie's party, Molly's robe is tied differently in the bedroom than it is when she stands at the door Kirk just left through. She was not shown retying the robe during the scene.
Continuity: The air traffic controller addresses the flight to Branson as "EastWest 43", but when Molly sees the departure schedule on the monitor in the airport, it's labeled as EW1564, not EW43.
Revealing mistakes: At the end of the film when Kirk is on the plane to Branson with his family, the external shots of the aircraft confirm it is an Embraer 190, however, the shots taken inside the aircraft show the plane having 3 seats on each side of the center isle, this is incorrect as an E-190 has only two seats on each side, proving a different plane was used for the external and internal shots.
Fact errors: At the very end of the film when Kirk takes Molly on the small plane, he radios the tower asking for takeoff clearance, the tower responds with the callsign and "cleared for takeoff". This is incorrect as the tower control must include the wind direction and speed when issuing a takeoff clearance such as N61BV, the winds are 140 at 9, runway XX, cleared for takeoff.

Quotes

  "Plane Doctor": You shouldn't be using your cellphone. It's bad for
the plane.
Patty: Excuse me. Are you a plane doctor? No. So shut the hell up.
Patty: Go shit in your hand.
Kirk: Stainer, I know you don't like her very much.
Stainer: Nooo, no. I hate her. In fact, the day you broke up with her
I marked that down on my calendar as a day of rejoicement. I'm
going to celebrate it with a cake with her face on it, but instead
of eating it, we smash it.
Patty: You look just like someone I went to high school with.
Stainer: Oh yeah? What high school? Maybe it was me.
Patty: No, he's in a coma.
Stainer: Huh. Who brought the good news bear? Somebody give her some
fucking honey.
Stainer: I love Kirkey but let's face it, the guy's a 5. Meanwhile,
this Molly is a hard 10.
Devon: He's at least a 6...
Stainer: 6? Alright, you go ahead and pop rainbows into his asshole,
but I'm just being honest.
Kirk: Patty's not a bitch, she's uh... different.
Stainer: Yeah, different in that she's a bitch and other people
aren't.
Stainer: I love Kirkey but let's face it, the guy's a 5. Meanwhile,
this Molly is a hard 10.
Devon: Stainer, that's just dirty pool. He's at least a 6...
Stainer: 6? Alright, you go ahead and pop rainbows into his asshole,
but I'm just being honest.
Kirk: Marnie, I know that we agreed to take some time off and I think
that was a great idea. My God. Gave us both a chance to experiment,
if you will, and meet all sorts of new and interesting, different
people. You did quite a bit more experimenting than I did. A lot
more experimenting. You are like a scientist. Beakers... But
obviously I'm cool with that, cause the thing is, I think, we're
stronger as a result. But here's the thing, Marnie... it's been two
years. That's a lot of time off. And I'm ready for some time on. I
miss you. I miss us. I got something for you.
[pulls out earring box]
Kirk: What do you think?
Stainer: Aww, man, it's depressing. I mean, it's really depressing.
It's horrible to watch you like this.
Devon: I think it's really pretty. How's it work?
[opens box]
Devon: Oh...
Jack: What the hell is that?
Kirk: I got it for Valentine's Day, right before she broke up with
me. Stainer, I know you don't like her very much.
Stainer: No, no, I hate her. In fact, the day that you broke up with
her, I marked that down in my calendar as a day of rejoicement. I'm
gonna celebrate it with a cake with her face on it, but instead of
eating it, I'm gonna smash it. OK? You can do a lot better. You
deserve a lot better, Kirky.
Kirk: I thank you. But, I've seen what's out there and I don't think
it gets any better.
Jack: When have you been out there? When have you left the apartment?
Kirk: I went out on four different dates, with three girls and that
guy. I don't know what his intentions were, but it's fine. We had a
great conversation. I think he was just looking for a friend.
Jack: Do you know what your problem is, Kirk?
Kirk: What?
Jack: You're a moodle.
Kirk: A moodle?
Jack: A man poodle. Girls, they wanna take you out on a walk. They
wanna feed you, they wanna cuddle you, but make no mistake, no girl
wants to do the moodle.
Stainer: No one would ever fuck a moodle.
Jack: No, he's right. I'm telling you, if you wanna get Marney back,
she has got to believe that from the second she broke up with you,
your life has been a non-stop snatch parade.
Devon: Or... you could just be who you are. Why can't that be good
enough?
Stainer: [holding earring box] Why don't you just put your fucking
balls in here?
Stainer: Okay, anyway... I love Kirky, but let's face it, the guy's a
five.
Devon: Stainer, that's just a dirty pool. He's at least a six.
Stainer: A six? Alright you go ahead and pump rainbows into his
asshole. I'm just being honest.
Jack: Come on, cut him some slack. Look. Half a point cause he's a
nice guy. Right? And he's funny, so that's half a point each. That
brings him to six. Devon's right.
Stainer: But he drives a shitbox, deduct a point. Take a point off.
Kirk: Wait, what's wrong with my Neon?
Stainer: Oh, I don't know, except the people who make that car don't
even like it. So, we're back to a five.
Jack: Five.
Stainer: Meanwhile, this Molly, is a hard ten. And that five point
disparity, that's a chasm. Chasm? Chasm. You can't jump more than
two points.
Kirk: Where do you get this shit?
Stainer: Trust me, Kirk. I can't even get a ten.
Jack: [chuckles] Oh. Not even you, huh?
Stainer: I'm a six! OK?
Jack: Bullshit, you're a six. Then what am I?
Stainer: You're an eight.
Jack: OK, you're a six then.
Stainer: But I get a one point bump cause I'm in a band.
Kirk: Stainer, you're in a Hall and Oats cover band. I'm pretty sure
that's a deduction.
Stainer: Adult Education is a tribute band. So that puts me back at
seven. On a good day, the best I can bag is a nine.
Kirk: What about your crappy car?
Stainer: Artist's exemption. I'm expected to have a shitty car.
Jack: Is there an artist exemption for talking out your ass?
Stainer: Yeah, it's called being a rock star, Jack! Look it up in the
dictionary. It's right next to "fuck you!"
Devon: I think this system's ridiculous. All right? If someone really
loves you, then you are a ten.
Jack: My God. What are you... Are you Hannah Montanna? Because
nothing you are saying right now is of any help to Kirk.
Kirk: Devon, why would you tell her that I broke up with Molly?
Devon: Cause I thought you had.
Kirk: No. We're just in a sticky wicket.
Stainer: A "sticky wicket"?
Kirk: Yeah. A rough patch. Rough pumpkins.
Stainer: And how many times have you called her?
Kirk: Five.
Stainer: And how many times have you really called her?
Kirk: Seventeen.
Stainer: It's done. Tao of Love.
Kirk: What?
Stainer: That's what I call it. The Tao of Love. You being with Molly
defies, like, forces of nature. It's over man.
Kirk: No. It's not over. Frankly, I'm sick of all you guys pretending
like you know where I'm coming from. None of you know what I'm
going through right now.
Stainer: Tina Jordan does.
Kirk: Who the hell is Tina Jordan?
Stainer: She was my Molly.
Kirk: You never mentioned her.
Stainer: I didn't want to jinx it. But she was perfect. Yeah,
perfect. Freckled shoulders. Anyway, two months into it, bam, she
dumps me. I shoulda seen it coming too, cause she was a ten. Like a
hard ten. I was a six, possibly a seven. Either way, I couldn't
cover the spread. The universe spoke and I was depressed for
months.
Kirk: That's what that was? You said you had mono.
Stainer: Yeah. Mono of the heart.
Jack: OK, my God, how's your vagina?
Stainer: Shut up, Jack!
Jack: Dude, forget Stainer. All right? I think you could get her
back.
Stainer: OK, then why don't you look Kirk in the eyes and tell him
that you believe he's gonna end up with Molly. Just tell him that.
Jack: Fine. Kirky, I truly believe that... I mean, I think anything
is possible.
Kirk: "Anything is possible"?
Devon: Come on! Like there's a million examples of guys like Kirky
ending up with a beautiful woman.
Stainer: Such as?
Devon: Lyle Lovett and Julia Roberts.
Jack: Right. Richie Sambora and Heather Locklear. Then he went on to
Denise Richards.
Stainer: All recording artists. Normal rules don't apply to those
guys. Kirk, as soon as you record an album and it goes platinum,
you can push your meat into any human being you want.
Jack: OK, OK, OK. King Kong and Naomi Watts.
Stainer: They never consummated. Totally platonic relationship.
Jack: Stephen Hawking and his lady nurse.
Stainer: He's the master of space and time. He knows about black
holes and shit.
Devon: What about the President of France and that girl that went out
with Mick Jagger.
Stainer: He knows about wine. And he has a french accent. He could
probably French kiss like a motherfucker.
Devon: Wait a second... The Beast.
Stainer: Who?
Devon: The Beast from Beauty and the Beast. Beast won Beauty's love
and he wasn't rich or a recording artist. Though, he did have an
amazing voice.
Stainer: OK, Devon, that's a cartoon. But yes, that's one. One out of
a million.
Devon: You know what, Stainer? All it takes is one. Man, you... You
guys sit here and talk about relationships but the truth is, I'm
the only one here that's married. Yeah, and I'm tired of you guys
busting my nuggets cause I've only been with one girl. It's cause
she was the right girl! That's why I married her! So, Kirky, let me
tell you something, if Molly is the right girl, that's all that
matters. You just, you stand up. You stand up. You get in front of
her. You get right in front of her and you say, "Hey, I am Kirk
Kettner, and I am right here, standing in front of you... right
here. Here I am." Something like that.
Stainer: Power of love.
Jack: Very... perfect.
Kirk: Beautiful.
Devon: Thank you. I was in debate, junior/senior year. I don't know
if you guys remember that.
Kirk: I've seen what is out there and I don't think it gets any
better.
Jack: When have you been out there? When have you left the apartment?
Kirk: I went out on 4 different dates. With 3 girls and that guy...
I... I don't know what his intentions were but it is fine. We had a
great conversation. He was just looking for a friend.
Mr. Fuller: Thanks for coming in Kirkner.
Kirk: Sorry I'm late Fuller.
Mr. Fuller: You better have a damn good excuse.
Kirk: Nope.
Mr. Fuller: Take a second? Make something up?
Kirk: Nope
Mr. Fuller: Interesting.
Museum Director: Can I see your invitation?
Kirk: Can I see your invitation?
Devon: Probably not the best thing to say to the Museum Director.
Stainer: Kirk that Molly girl is insanely hot.
Kirk: Yeah I know.
Stainer: So you know whats happening? She is setting you up with the
bitchy friend. Which will be perfect for you because you like
bitches.
Kirk: That's fine Patty is not a bitch. She's... uh... just
different.
Stainer: Yeah different in that she is a bitch and other people
aren't.
Stainer: Okay now I know you've gone crazy. You are telling me the
hottest chick I've ever met in my life wants you, and the
hamburglar wasn't into me? Listen to yourself... FUCK YOU.
Devon: It is a pretty impressive catch Kirkey.
Stainer: Yeah the day that happens is the day Jack sleeps with your
wife.
Stainer: What? Did that already happen?
Devon: We weren't technically dating yet.
Stainer: My bad.
Stainer: A 6? Alright you go ahead and pump rainbows into his
asshole. I'm just being honest.
Stainer: But he drives a shit box so you have to deduct a point.
Kirk: What is wrong with my neon?
Stainer: Oh I don't know except the people who make that car don't
even like it.
Jack: Is there an artist exemption for talking out your ass?
Stainer: Yeah it's called being a rock star Jack! Look it up in the
dictionary next to fuck you.
Devon: Hey did she say anything about Wendy thinking I'm hot?
Kirk: No.
Devon: Shoot, I wonder if she is on Facebook?
Kirk: Devin you're on Facebook?
Devon: Yeah... I got like 37 friends.
Kirk: She is coming to lunch with my parents on Sunday.
Stainer: That takes care of that, 20 minutes with your family and she
will file a restraining order. We're safe.
Devon: Hey did she say anything about Wendy? You know... like about
me?
Kirk: This is when you say Hi Molly.
Dylan: Who are you?
Kirk: She is Molly.
Ron: Why is she here?
Kirk: She came with me.
Dylan: Did you hit her car or something?
Kirk: Jesus... No but thank you for asking.
Dylan: Are you a social worker?
Molly: Nope
Dylan: Aw shit are we being evicted?
Dylan: Are you a hooker?
Debbie: Dylan!
Dylan: Or a prostitute I mean?
Ron: Come on in for a dip girl.
Molly: Oh no, I don't even have a bathing suit.
Dylan: You can wear your underwear. It's just like a bikini it covers
all the good shit.
Ron: Yeah underwear is fine.
Marnie: RON!
Ron: It's like what they did in the old days.
Molly: Underwear would be fine if I were wearing any.
Dylan: Fuck it! This floor is slippery. These shoes are fucked for
this.
Mr. Kettner: Dylan sportsmanship!
Dylan: Fuck You!
Mrs. Kettner: Timeout.
Dylan: You guys take a timeout for being assholes.
Kirk: What is he? A dog or a fucking horse?
Kirk: How is this not gay?
Devon: I think there is nothing gay about it. The fact you are
letting a straight married man shave your testicles. I think that
makes you one of my most macho guys alive.
Stainer: Fuller, you have a choice. You can step aside. Or you can
fight me. If that is how you want to go, I warn you, I will go dark
side. Okay? I will rip out your hair. I will bite your chin off.
And I will stab you in the eyes with confiscated scissors. Because
I'm an insane mother fucker. You know that from the break room.
What's it going to be?
Patty: How the fuck did you get my number?

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