Information
| Year: | 2010 |
| Rating: | 8.0(104545) |
| Listed in: | Drama, Mystery, Thriller |
| Directed by: | Martin Scorsese |
| Actors: | Leonardo DiCaprio Mark Ruffalo Ben Kingsley Max von Sydow Michelle Williams Emily Mortimer |
| "Someone is missing." | |
Cast
| Directed by | |
|---|---|
| Martin Scorsese | |
| Actors | |
| Leonardo DiCaprio | as Teddy Daniels |
| Mark Ruffalo | as Chuck Aule |
| Ben Kingsley | as Dr. John Cawley |
| Max von Sydow | as Dr. Jeremiah Naehring |
| Jackie Earle Haley | as George Noyce |
| Ted Levine | as Warden |
| John Carroll Lynch | as Deputy Warden McPherson |
| Elias Koteas | as Laeddis |
| Christopher Denham | as Peter Breene |
| Joseph Sikora | as Glen Miga |
| Curtiss Cook | as Trey Washington |
| Raymond Anthony Thomas | as Orderly Ganton |
| Joseph McKenna | as Inmate Billings |
| Tom Kemp | as Ward C Guard |
| Bates Wilder | as Ward C Guard |
| Lars Gerhard | as Dying Commandant |
| Matthew Cowles | as Ferry Captain |
| Ziad Akl | as Tattoo'd Man |
| Dennis Lynch | as Red-Headed Man |
| John Porell | as Wild-Eyed Man |
| Aidan Mitchell | as Younger Boy |
| Drew Beasley | as Younger Boy |
| Joseph P. Reidy | as Operator |
| Thomas B. Duffy | as Guard |
| Ken Cheeseman | as Doctor |
| Steve Witting | as Doctor |
| Michael E. Chapman | as Patient |
| Keith Fluker | as Orderly |
| Darryl Wooten | as Orderly |
| Michael Byron | as McPherson's Driver |
| Gary Galone | as Gate Guard |
| Gabriel Hansen | as Young Guard |
| Cassity Atkins | as Guard |
| Danny Carney | as Nazi SS Guard |
| Jeffrey Corazzini | as Boardroom Guard |
| Rob W. Gray | as Doctor |
| Guy A. Grundy | as Head Security Guard |
| Cody Harter | as U.S. GI/Shooter |
| Chris Henderson | as Concentration Camp Prisoner |
| Alexander Hoffman | as Concentration Camp Prisoner |
| Daniel Lowney | as Ward C Guard |
| Stephen Marchessault | as German Soldier |
| Dan Marshall | as U.S. G.I. at Dachau Liberation/German S.S. Officer Killed |
| Robert Masiello | as Doctor |
| Alex Milne | as Child Playing Stickball |
| Americo Presciutti | as Security Guard |
| Eric Rollins | as Orderly Chopping Wood |
| Skip Shea | as Male Patient |
| Billy Silvia | as Prison Guard |
| Actresses | |
| Michelle Williams | as Dolores Chanal |
| Emily Mortimer | as Rachel 1 |
| Patricia Clarkson | as Rachel 2 |
| Robin Bartlett | as Bridget Kearns |
| Nellie Sciutto | as Nurse Marino |
| Ruby Jerins | as Little Girl |
| Jill Larson | as Manacled Woman |
| Bree Elrod | as Female Patient |
Movie info
| Languages: | English, German |
| Filming dates: | 6 March 2008 - 30 June 2008 |
| Gross: |
USA - 95,750,005 USD (7 March 2010) UK - 9,160,010 GBP (4 April 2010) |
| Plot: | In 1954, Federal Marshal Teddy Daniels and his new partner, Chuck Aule, from Seattle travel to Shutter Island to investigate the disappearance of a patient there, Rachel Solando. She had been sectioned at the institution for dangerous criminals at Ashcliffe Hospital, because she drowned her three kids. Teddy is a veteran WWII soldier, traumatized by the war experience in the liberation of the Dachau concentration camp and the loss of his beloved wife in a criminal fire. Teddy is unable to access the records of employees and patients and feels that his investigation is obstructed by the management by the Federal facility. Teddy has severe migraines and when there is a storm, Teddy and Chuck find that they are stranded in the island. Teddy interviews the internees and follows a lead to the lighthouse, where he discloses the mystery about the Shutter Island. |
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Original Soundtracks
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"LONTANO" Written by György Ligeti Performed by Berlin Philharmonic Conducted by Jonathan Nott Courtesy of Warner Classics By Arrangement with Warner Music Group Film & TV Licensing "FOG TROPES" Written by Ingram Marshall Performed by Orchestra of St. Lukes Conducted by John Adams Courtesy of Nonesuch Records By Arrangement with Warner Music Group Film & TV Licensing "SYMPHONY NO. 3: PASSACAGLIA - ALLEGRO MODERATO" Written by Krzysztof Penderecki Performed by National Polish Radio Symphony Conducted by Antonio Wit Courtesy of Naxos by arrangement with Source/Q "MUSIC FOR MARCEL DUCHAMP" Written by John Cage Performed by Philipp Vandré Courtesy of Mode Records "HOMMAGE Á JOHN CAGE" Written & Performed by Nam June Paik Courtesy of Nam June Paik Studios, Inc. "QUATTRO PEZZI" Written by Giacinto Scelsi Performed by Vienna Radio Symphony Orchestra Courtesy of Mode Records "LONTANO" Written by György Ligeti Performed by Wiener Philharmoniker Conducted by Claudio Abbado Courtesy of Deutsche Grammophon GmbH, Hamburg Under license from Universal Music Enterprises "ROTHKO CHAPEL 2" Written by Morton Feldman Performed by UC Berkeley Chamber Chorus Courtesy of New Albion Records, Inc. "ON THE NATURE OF DAYLIGHT" Written & Performed by Max Richter Mixed by Robbie Robertson Courtesy of Fat Cat Records By Arrangement with Bank Robber Music "UAXUCTUM: THE LEGEND OF THE MAYAN CITY WHICH THEY THEMSELVES DESTROYED FOR RELIGIOUS REASONS" Written by Giacinto Scelsi Performed by Vienna Radio Symphony Orchestra Courtesy of Mode Records "PACIFIC SIRENS" Written by Robert Erickson Performed by Cleveland Chamber Symphony Conducted by Edwin London Courtesy of New World Records "THE LOST DAY" Written & Performed by Brian Eno Courtesy of Virgin Records Ltd under license from EMI Music Marketing "FOUR HYMNS: II FOR CELLO AND DOUBLE BASS" Written by Alfred Shnitke (as Alfred Schnittke) Performed by Torleif Thedéen & Entcho Radoukanov Courtesy of BIS Records "LIZARD POINT" Written by Brian Eno, Michael Beinhorn, Axel Gros & Bill Laswell Performed by Brian Eno Courtesy of Virgin Records Ltd. under license from EMI Music Marketing "SUITE FOR SYMPHONIC STRINGS: NOCTURNE" Written by Lou Harrison Performed by The New Professionals Orchestra Conducted by Rebecca Miller Courtesy of Mode Records "CHRISTIAN ZEAL AND ACTIVITY" Written by John Adams Performed by San Francisco Symphony (as The San Francisco Symphony) Conducted by Edo de Waart Courtesy of Nonesuch Records By Arrangement with Warner Music Group Film & TV Licensing "ROOT OF AN UNFOCUS" Written by John Cage Performed by Boris Berman Courtesy of Naxos by arrangement with Source/Q "FLUORESCENCES" Written by Krzysztof Penderecki Performed by National Polish Radio Symphony Conducted by Antonio Wit Courtesy of Naxos by arrangement with Source/Q "MY FATHER KNEW CHARLES IVES: THE LAKE" Written by John Adams Performed by BBC Symphony Orchestra Conducted by John Adams Courtesy of Nonesuch Records By Arrangement with Warner Music Group Film & TV Licensing "FRAGOR" Written & Performed by Tim Hodgkinson Courtesy of Mode Records "PRELUDE - THE BAY" Written & Performed by Ingram Marshall Courtesy of New Albion Records "TWO ETUDES: HARMONIES" Written by György Ligeti Performed by Hans-Ola Ericsson Courtesy of BIS Records "QUARTET FOR PIANO AND STRINGS IN A MINOR" Written by Gustav Mahler Performed by Prazak Quartet Courtesy of Praga Digitals, France "QUARTET FOR PIANO AND STRINGS IN A MINOR" Written by Gustav Mahler Arranged by Christopher Hoffman & Michael Pitt Performed by Christopher Hoffman "CRY" Written by Churchill Kohlman Performed by Johnnie Ray Courtesy of Columbia Records and The Columbia/Epic Label Group, a unit of Sony Music Entertainment, by arrangement with Sony Music Licensing "WHEEL OF FORTUNE" Written by Bennie Benjamin & George David Weiss Performed by Kay Starr Courtesy of Capitol Records Under License from EMI Film & Television Music "TOMORROW NIGHT" Written by Sam Coslow & Will Grosz (as Wilhelm Grosz) Performed by Lonnie Johnson Courtesy of Gusto Records, Inc. "THIS BITTER EARTH" Written by Clyde Otis Performed by Dinah Washington Mixed by Robbie Robertson Courtesy of The Verve Music Group Under license from Universal Music Enterprises |
Goofs
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Continuity: When Teddy interviews the first patient, he scrawls in his notebook to the point of tearing the paper in one shot. The paper is intact in a later shot. Revealing mistakes: SPOILER: When Teddy brings his murdered children out of the water, one of the boys is clearly holding on to him as they make their way to shore. Continuity: When Teddy talks to George Noyce, George's right hand grips the bars when the camera focuses on Teddy. When the camera focuses on George, his right hand is continuously scratching the top of his head. Revealing mistakes: SPOILER: After Teddy knocks out the guard at the lighthouse, he climbs the rocks to the door. A plastic lid from a Styrofoam cup is on the rocks. The lid did not exist in the 1950s. DATE: A recording of Mahler's piano quartet plays in Dr. Cawley's study and in the Nazi officer's office at Dachau. The first recording of the quartet was released in 1973. Continuity: When Teddy and Chuck are on the cliff, Chuck reaches in his shirt pocket. From the opposite view, Chuck's hands at his side, and reaches into his shirt pocket again. Revealing mistakes: The fractured brick wall that Teddy climbs over moves a bit when he leaps up on it. Continuity: In Cawley's study, Daniels puts down his soda and ice on the table and emphatically shoves his hands in his pockets. In the few moments that the view changes to Cawley and Naehring and back again, and the glass is back in his hand. FAIR: By all accounts, the pre-dawn liberation of Dachau took place during a late spring snowstorm, and additional troops arriving in the morning also reported a fresh blanket of snow, so the depiction of snow at Dachau is not a goof. Continuity: When Teddy is talking to Dr. Naehring and Dr. Cawley in the office, Teddy's belt is sticking out in front of his jacket in one shot and behind his jacket in another, this happens several times. DATE: After the storm blows out the electricity, Daniels comments about the "electronics" being knocked out. In the 1950s, the word "electronics" was only used by scientists. The electrical systems used to containing the patients likely had no "electronics", just electrical switches, solenoids, and other parts. Continuity: Dr. Cawley gives Teddy a glass of water and aspirin for a migraine. With the glass in hand, Teddy drinks the water and downs the pill. In the next shot, the glass is on the table. Fact errors: A recording of Mahler's piano quartet plays in the SS officer's office at Dachau. Music by Jewish composers, like Mahler, was banned in Nazi Germany. No hard-line SS officer would've owned or listened to blacklisted Jewish music. Crew: SPOILER: When Teddy first sees his daughter lying face down in the lake, and wades through the water to get her, a hand is holding the girl's leg. It disappears as Teddy approaches. Continuity: In the beginning of the movie Teddy and Chuck stand on deck of the ferry. Chuck puts a cigarette in his mouth. In the next shot Chuck again puts a cigarette in his mouth. FAIR: SPOILER: When Teddy interrogates Bridget Kearns, Chuck brings her a glass of water, but when she is filmed drinking she has no glass in her hand. In the next scene she puts the empty glass on the table. However, this is more likely to be intentional revealing of the "role play" performed for Teddy, than a mistake on the part of the actress, imitating drinking when there was a perfectly good glass on the table. Continuity: When Teddy talks to George Noyce in his cell, Noyce's right arm changes from being on his head to being on the bars between shots. FAIR: SPOILER: After the interrogated woman drinks her glass of water, she places the empty glass on the table. When she stands up and leaves, you can clearly see that the glass is half full. However, this is a clue to advise Teddy and the viewer that everything is produced by Teddy's mind. Fact errors: In a flashback, Teddy sees the entry gate of Dachau, with the words "Arbeit Macht Frei". It's actually the entry gate from Auschwitz, which was liberated by Soviet troops, and has the same words in a different style. Continuity: At the beginning of the movie when Teddy and Chuck are standing on the deck of the Boat. Teddy lights a cigarette and clearly has a wedding ring on his finger. The next shot shows him with his left hand resting on the rail with no ring. The following shot once again he is wearing the ring and is doing so through the rest of the film. FAIR: SPOILER: Teddy attempts to revive the children with CPR, which was officially "invented" in 1956, 2 years after the movie is set and 4 years after the children drown. However, CPR existed in many forms from as early as the mid-1700's. In August 1767 a few wealthy and civic-minded citizens in Amsterdam gathered to form the 'Society for Recovery of Drowned Persons', which within 4 years claimed that 150 persons were saved by their recommendations, including respirations in to the victim's mouth, either using a bellows or with a mouth-to-mouth method (mouth-to-mouth or mouth-to-nostril respiration is described including the advice that "a cloth or handkerchief may be used to render the operation less indelicate"). As a combat veteran it conceivable that Teddy witnessed such techniques. Revealing mistakes: SPOILER: When the United States Marshal's line up and murder the SS officers at the concentration camp, at the end of the shooting one "officer", when falling after being shot, props himself up on another murdered officer by placing his elbow on him and putting his head on his hand. Revealing mistakes: During the scene where Rachel had blood all over her and three dead children at her feet, asking Teddy to give her a hand, the scene cuts a couple of times to Teddy's face with a cigarette in his mouth. These scenes are being played backwards, with smoke going into his cigarette rather than coming from it. Continuity: In the scene where all of the S.S. soldiers are getting shot at the concentration camp the U.S. soldiers are using the M1 Garand rifle. The M1 has an 8 clip magazine, although numerous soldiers fire their weapon over 8 times without having to reload. Continuity: When Teddy is stuffing his tie into the gas tank, he looks up to see his wife. He then holds the tie and balls it in his hands and says he's sorry for ruining the tie. In the next shot the tie is all the way in the tank. He wouldn't have started to put it in the tank, take it out, and put it back. Continuity: Towards the end when he runs into Dr. Naehring and takes his syringe you see him holding it by his shoulder, near the doctor's neck, from the shots behind him. When the camera is on his face, you can tell both of his arms are lower. It changes back and forth between shots. |
Quotes
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George Noyce: Don't you get it? You're a rat in a maze. George Noyce: You'll never leave this island. Chuck Aule: All I know is it's a mental hospital. Teddy Daniels: ...for the criminally insane. Dr. John Cawley: We don't know how she got out of her room. It's as if she evaporated, straight through the walls. Teddy Daniels: We are duly appointed Federal Marshals. Teddy Daniels: Baby, I love this because you gave it to me, but it is one fuckin ugly tie. Dr. John Cawley: You blew up my car. I loved that car. Chuck Aule: How we doing this morning? Teddy Daniels: Good, and you? Chuck Aule: Can't complain. Teddy Daniels: So what's our next move? Chuck Aule: You tell me. Teddy Daniels: I gotta get off this rock, Chuck. Get back to the mainland. Whatever the hell's going on here, it's bad. Don't worry partner, they're not gonna catch us. Chuck Aule: That's right, we're too smart for em. Teddy Daniels: Yeah, we are, aren't we. You know, this place makes me wonder. Chuck Aule: Yeah, what's that, boss? Teddy Daniels: Which would be worse, to live as a monster or to die as a good man? Chuck Aule: Teddy. [recurring line] Teddy Daniels: Why are you all wet, baby? [recurring line] Teddy Daniels: We gotta get off this rock, Chuck. Warden: If I were to sink my teeth into your eye, right now, could you stop me before I blinded you? Teddy Daniels: Give it a try. Warden: That's the spirit. Dolores Chanal: Set me free. Warden: We wage war, we burn sacrifices we pillage and plunder and treat at the flesh of our brothers and why? Because God gave us violence to wage in his honor. Teddy Daniels: I thought God gave us moral orders. Warden: There is no moral orders as pure as this storm. There's no moral order at all. There's just this: can my violence conquer yours? Chuck Aule: You okay boss? Teddy Daniels: Yeah fine, I just ah, I just can't, can't stomach the water. Nurse Marino: This is mental institution, Marshall, for the criminally insane. Usual isn't a big part of our day. Rachel 2: You're smarter than you look, Marshall, that's probably not a good thing. [last lines] Teddy Daniels: Which would be worse, to live as a monster, or to die as a good man? [walks off] Chuck Aule: Teddy? Teddy Daniels: [final lines; Teddy's taking to his partner] You know, this place makes me wonder... Chuck Aule: Yeah, what's that, boss? Teddy Daniels: Which would be worse, to live as a monster or die as a good man? Chuck Aule: [as Teddy walks out to meet the orderlies] Teddy? Chuck Aule: Nice music, who is that, Brahms? Teddy Daniels: No. Teddy Daniels: It's Mahler. Teddy Daniels: Pull yourself together, Teddy. Pull yourself together. Dr. John Cawley: [Examines Rachel's note] This is definitley Rachel's handwriting... I've no idea what the law of four is though. Teddy Daniels: Its not a psychiatric term? Dr. John Cawley: No, I'm afraid not. Chuck Aule: [Reads note] Who is 67... Fucked if I know. Dr. John Cawley: I have to say that's quite close to my clinical conclusion. Warden: You're as violent as they come. I know. because I'm as violent as they come. Don't embarrass yourself by denying your own blood lust, son. Don't embarrass me. If the constraints of society were removed, and I was all that stood between you and a meal, you'd crack my skull with a rock and eat my meaty parts. |
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