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Watch "Take" Full Movie Online

Information

Year: 2008
Rating: 6.2(47)
Listed in: Comedy, Drama
Directed by: Eric Bay-Andersen
Actors: Eric Bay-Andersen Joshua David Hall Esben Bay-Andersen Stuart Lanceman Yasha Shrimpton Sonja Bay-Andersen
  "Breaking into your house, running you over ... should these things really affect our friendship?"

Cast

 Directed by
Eric Bay-Andersen  
 Actors
Eric Bay-Andersen as Jim
Joshua David Hall as Jeff
Esben Bay-Andersen as Car Thief
Stuart Lanceman as Taxi Driver
 Actresses
Yasha Shrimpton as Mary
Sonja Bay-Andersen as Car-jacked Woman

Movie info

Languages: English
Filming dates: 14 June 2008 - 21 June 2008
Budget: GBP 1,000
 
Plot: Coming home on the train the morning after graduation, Jim Swanson meets Mary - the girl he liked from university. He invites her back to his place where they are shocked to find somebody already in the house. The intruder runs off and Jim pursues him in his dad's car. He finds him and runs him over - only then does he discover that the intruder is Jeff, his slacker best friend from university. Throughout the rest of the morning they wait for a taxi to take Jeff to the hospital and on the way they talk about university, girls and movies until they finally get to the root of the problems that have plagued their friendship for years.

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Original Soundtracks

  "Piano Sonata No.15 (K.545)" 1st Movement Music by Wolfgang Amadeus Mozart Performed by Eric Bay-Andersen
"Turkish March" Music by Wolfgang Amadeus Mozart Performed by Eric Bay-Andersen
"Barcarolle" Music by Pyotr Ilyich Tchaikovsky Performed by Peter Anno

Goofs

  Crew: As Jim and Mary are walking home from the station, the cameraman's shadow is briefly visible (when Jim says he want to do something he is passionate about)
Continuity: When Jim and Mary are walking up to his house, there is a car parked in the car port of the house next to his, but when Jim gets into his car a few minutes later the car port is empty, revealing that it was shot at a different time.
Crew: When Jim and Jeff are waiting for the taxi (during the long, awkward pause) the cameraman gets close to Jim's face casting an obvious shadow.
Crew: When Jim and Jeff car-jack the car, the cameraman is briefly visible in the car window reflection.
Crew: When Jim and Jeff confront the Car Thief at the end, the cameraman's shadow is cast on Jim and Jeff.
FAIR: Jeff limps after Jim runs him over, but when Jeff gets out of the taxi and walks away his limp is gone. But since we never actually see Jeff getting hit the by the car, we can never be sure of the severity of his injury. He could have exaggerated his limp to gain sympathy from Jim. This is also hinted at during the closing credits when Jim says "ever since we got out of the taxi, your limp's been pretty much ... gone", to which Jeff sheepishly replies "well ... it comes and goes".

Quotes

  [first lines]
Train Announcer: [over P.A. system] The next stop is Weybridge.
Change here for Addlestone, Chertsey, Virginia Water, Egham and
Staines. Please mind the gap between the train and the platform
edge.
Jim: I can't believe I never knew you lived around here.
Mary: Well, I don't think it ever really came up, did it?
Jim: Yeah, we never really mentioned it.
Mary: To be honest, I don't think we've ever had a conversation
that's lasted more than, what, two, three minutes tops. At parties
it's always "Hey, how are you doing?" "Have you done the revision
or the tutorial work"?
Jim: Well, those are tried and tested conversation starters. They may
not be riveting, but they do at least get the ball rolling.
Mary: True, true.
Jim: The weather - that's another classic.
Mary: Oh yeah, where would us Brits be if we couldn't talk about the
weather? Our chit-chatting abilities would be out the window.
Jim: Exactly. We'd be lost, like... people without maps. Or
sat-nav's.
Mary: So, do you know anyone who didn't graduate?
Jim: The only one I know who didn't graduate was Jeff.
Mary: Jeff, was he a mate of yours?
Jim: ...Yeah, yeah, we were friends. We used to hang out in the
library and the cafeteria and stuff. I was actually... I lived with
him in halls in the first year; he was in the room next to mine. He
used to drag me out partying with him and clubbing all the time.
It's partly why I moved out. I can't stand clubbing.
Mary: So, he didn't do the year?
Jim: No, he... I don't think he failed everything, I just don't think
he passed enough overall to pass... overall! I think he got a
'compensated fail' - whatever that means.
Mary: That's a bit of a shame.
Jim: ...Yeah. I mean, He didn't exactly work very hard, but it's
still a shame.
Mary: Was he really upset about it?
Jim: I haven't actually really spoken to him since the exams.
Mary: Do you know if he's going to redo the year?
Jim: I don't know. I mean... I assume so.
Mary: You know what's it like. Every lecture the teacher would be
asking loads of questions and there'd be that long silence, it'd
just drive me absolutely mental. So, of course, I would answer all
the questions just to keep the ball rolling. You know what it's
like, it feeds on itself. You know, because I answer all the
questions, after a while the teachers would always come to me for
the answers.
Jim: They'd only ask you. Yeah, I noticed that.
Mary: Yeah. And after a while it felt like I was having private
tutorial lessons and everyone else was just there to watch.
Jim: Well, I enjoyed watching, if that's any consolation.
Mary: Yeah, but you know those idiots in the back, they didn't have
to do any of the work. And everyone looks at me with the evil eye
as if I'm Martin fucking Prince.
Jim: "Pick me, teacher. I'm ever so smart."
Mary: Exactly! But I'm not! I don't think I'm smarter than they are.
I just do the homework. If they just did the homework they could
answer the questions and I could have had a break.
Jim: Well, on behalf of everyone who didn't always do the work, we're
sorry.
Jim: [they arrive at Jim's estate] This is me.
Mary: Oh, right.
Jim: Do you want to come in for a drink? I mean, it's still early. I
can't in all good conscience let you walk home this early.
Mary: Irresponsible.
Jim: It would be. Come on. I've got Jaffa cakes.
Mary: Now how can I say no to Jaffa cakes. Oh, go on then.
Jim: Attagirl.
Mary: [pause] You better have Jaffa cakes. Seriously.
Jim: I do, I do.
Mary: [they enter the estate] Mm, nice place.
Jim: Thank you. I'm glad you approve. You notice the big tree? It's
been here since it was... planted. Except for the bite that's been
taken out of it.
Mary: Not a literal bite, I hope.
Jim: Well, I was locked out and I was hungry. What can I say? [they
enter Jim's house] Here we are.
Mary: Mm, nice house.
Jim: There is more to it than this. You do realize this is just the
hallway?
Mary: [notices a young picture of Jim] Oh my God! Is this you?
Jim: [sighs]... Yes.
Mary: Look at you in your glasses - you look like the Milkybar kid!
Jim: Thank you, I was called that quite a lot when I was a child.
That and Macaulay Culkin. I'd repressed it until now, but now it's
afresh so thank you for opening up old wounds.
Jim: [having just run Jeff over] Yeah? You rob me, that's what
happens! [pause] Jeff?
Jeff: [limping] You alright, mate?
Jim: Wha-?... Are you the guy I just caught robbing my house?
Jeff: ...I guess.
Jim: Jesus. W-Well, are you okay? Can you stand? I mean...
Jeff: Just about.
Jim: Well, how do you feel?
Jeff: Like I've been run over!
Jim: How'd you get here anyway?
Jeff: I took a taxi. It cost me twenty-eight quid, do you believe
that?
Jim: Right, and how much did you steal from me?
Jeff: ...Thirty.
Jim: Brilliant. You know, you are the worst person I know with money.
You're so reckless with it. You're out every night drinking and
clubbing.
Jeff: Dude, I'm a student.
Jim: Exactly, which means you should have learnt a thing or two by
now. Like that old phrase "all drinkie and all play make bank
account go empty".
Jeff: That's not a phrase - that's a bad 'Shining' joke. You just
came up with it.
Jim: Yeah, but that doesn't make it any less true or any less
relevant to you, young man. You've got to be careful with money,
Jeff.
Jeff: What was I supposed to do? I ran out of money, I couldn't
fucking tell my parents I'd failed my third year.
Jim: Yeah, but you've got to be responsible with money, like me.
Jeff: What the hell do you know? You live at home - you get your food
and laundry for free!
Jim: I like my home - it's a nice home! You must have noticed that
while you were looting it! It cheaper than... I pay my parents a
monthly rent. It's cheaper than living in halls, but I don't see
why I should pay more for a small, depressing room that smells like
weed, where the walls are paper thin and you can hear the music
students having orgies every night. It's one part of the university
experience I can do without, thank you very much.
Jim: [on the phone] Mary! Listen, on second thoughts, don't call the
police. I... you did?... Ten minutes? That's a bit fucking prompt,
isn't it?... Oh, shit... Look, it turns out... It turns out the guy
who was in my house, it was Jeff... From uni, right... Yeah, he...
Well, he just did a silly thing, you know. He was a bit desperate -
he had a 'student moment'. And he went and did a funny thing,
and... look, its alright now. I'm gonna take him home, and...
what's that? They're outside? Oh, shpadoinkle, um... I tell you
what - go outside and put me on with the main guy. [to Jeff] I'm
gonna fucking kill you. There's a bench over there - go sit down.
[on the phone] Officer! Hello, yes... yes, it is my house, I
promise... Well, um, see, the thing is I thought someone was
robbing my house, but it turns out it was friend of mine... Yeah,
he's been staying with us and he... and he forget something so he
came back to get it. And he didn't want to disturb us, so he kind
of let himself in. It's pretty funny when you think about it...
Yes. Yes, I do know how early it is... Well, I went after him...
Why? Well, I thought, because... because I thought he might have
had a car with him, and I could, you know, get the license plate...
Yes, I know it was foolish... And irresponsible, yes, I agree. And
I'm very, very sorry... and I would be very, very, very grateful if
you could just let me off with a warning, and I promise it will
never happen again... Thank you! Thank you so much. Oh, before you
go, could you put me back on with Mary, my girl - the friend - I
mean, the, yes... Thank you, sorry, bye, sorry... Mary, I am so, so
sorry you had to go through that. Listen, I'm gonna take Jeff home
now. It should be about 45 minutes, I reckon. And, er, I'd love it
if you were there when I got back, but if you want to let yourself
out, I understand... Yeah... Yeah, I'll talk to you soon.
Jeff: What were you doing with Mary this morning anyway?
Jim: I bumped into her on the train. Turns out she lives around here.
So I invited her in for a coffee. What's wrong with that? Casual.
Jeff: You wanted to break off a piece, didn't you?
Jim: Well, I like her. You know that. I was just trying to... advance
things.
Jeff: "Advance things"!
Jim: I mean, I know I don't know her that well. But, we've got things
in common.
Jeff: Like what?
Jim: Like... we both studied law.
Jeff: I studied law, you studied law, she studied law - that's what
we were doing there. We were all studying law, the same people all
the time. That does not count as something you've got in common
with her.
Jim: Well, we both... live around here. We both live around here. And
we're both Aries'. I remember she had a party not long after mine.
Jeff: I went to that one, didn't I?
Jim: I don't know.
Jeff: Yeah, I did - the one after your birthday. Yeah, you spent the
whole night in that corner trying to get up the nerve to talk to
her, and when you could talk to her all you could muster was "Hi.
How's revision going?"
Jim: True. But that's still something. I mean, people with the same
star sign are usually compatible.
Jeff: My leg's killing me.
Jim: Well, don't you think...
Jeff: Wait, did you just say star signs?
Jim: Yeah.
Jeff: Don't tell me you believe that bollocks, Jim.
Jim: It's been around for thousands of years. There must be something
to it.
Jeff: Thousands of years ago we had public witchhunts and stonings.
I'd like to think mankind has evolved a little since then. Okay
look, relationships do not rise and fall over star signs. Just
because of the fact that you're both Aries doesn't make you
magically compatible. Relationships do not rise and fall because
your heart is linked to Venus and your head is up Uranus!
Jim: Oh, ha ha. Who didn't see that one coming a kilometer away?
Jeff: [discussing Heath Ledger's performance in The Dark Knight] A
posthumous Oscar nom, don't you think?
Jim: Yeah, I'm not sure.
Jeff: What?
Jim: No, it was good enough, but... I mean, I know he was nominated
for Brokeback but that was a more subtle performance, you know?
Jeff: You don't think he was subtle as the Joker?
Jim: Well, he was more subtle than Jack Nicholson's.
Jeff: Oh, well yeah! Poncing around in bloody art galleries to
Prince. Ouch.
Jim: I don't like that film anyway. The Prince songs are just the
nail in the coffin. No, but what I mean is, it's a comic book
movie.
Jeff: You say that like it's a bad thing!
Jim: No, I'm not saying it's a bad thing, I'm just saying that... you
know...
Jeff: I'll have you know some of my favorite films are comic book
movies. Some of the greatest films are comic book movies!
Jim: Like? I'm not arguing, I'm just wondering what...
Jeff: V For Vendetta, X-Men 2, Spider-man 2...
Jim: True. Yeah, but, you know, comic book movies are just one of
those genres that the Academy doesn't recognize. You know, like
action, or comedy, or fantasy, or... porn. Even when you've got
brilliant directors like Jackson or Nolan at the helm.
Jeff: You know, those themes are quite... I mean, they're quite all
those genres, they're quite, thematically, they're quite... you
know, similar.
Jim: Fantasy, comedy and porn?
Jeff: Yeah. Even if you have Jackson or Nolan at the helm.
Jim: Even if you've got them. Er, have you noticed... wait, have they
ever directed porn?
Jeff: I don't think so. Did Peter Jackson do porn?
Jim: No. I'd pay to see Peter Jackson porn, though. Not porn with him
in it, you understand. I meant porn directed...
Jeff: Yeah, yeah, Jim, I get it.
Jim: Okay. [pause] Imagine the production values.
Jeff: Phew! Could be distracting, though.
Jim: Could be distracting, true.
Jim: Hey, you know how you said Spiderman 2 and X-men 2 are two of
your favorite films?
Jeff: Yeah?
Jim: Have you ever noticed how these franchises that start off so
promisingly always fall flat on their face when it comes to the
third installment?
Jeff: Yeah, I can think of one - Spider-man 3!
Jim: Oh, that was the worst offender!
Jeff: Fucking crap!
Jim: I mean, X-men 3 "Juggernaut, bitch!" - low point of the world -
but Spider-man 3 was the worst overall. I mean, when he started
dancing down that street...
Jeff: And the part where he goes in front of that bloody American
flag for no reason!
Jim: Oh, that pissed me off!
Jeff: I've never heard so many people in the cinema shout out "Oh,
for fuck's sake!"
Jim: Yeah, same with me! And I'm like, that butler at the end?
Jeff: Yeah, what was that about?
Jim: Where did you come from? It's like...
Jeff: You've been away for the whole film, and then he just appears!
Jim: Where have you been? It's like [puts on an old man voice] "Well,
I just figured since I've been watching you trying to kill your
best friend for two years now, now that you've stopped and you're
prepared to become a recluse, now I can tell you, given my immense
knowledge of glider blades that it's all been in vain". Well, thank
you so very freaking much!
Jeff: [laughs] You film geek! Shame on you Sam Raimi, though.
Jim: Shame on you, Sam Raimi!
Jeff: Yeah, cinema as an art form died that day.
Jim: [long pause] How did we get onto that?
Jim: Fuck, man. I still can't believe you did that.
Jeff: [Hums the Batman TV theme tune]
Da-na-na-na-na-na-na-na-FUCKMAN! Fuckman!
Jim: What?
Jeff: Fuckman! That'd be a great name for a superhero! Oh, come on!
All these superheroes are so family friendly it'd be nice to have
one with a bit of edge to it.
Jim: He sounds like a rapist. That's past edgy. What would his power
be? Super-speed screwing? 'Cause that's not a power, technically.
that's just... a failing.
Jeff: No, he'd just fight crime and rescue damsels in distress, and
later on they'd be so grateful they'd let him give them what for!
Jim: I think you'll find that character already exists.
Jeff: Yeah?
Jim: Yeah, he's called James Bond. And he stretches the PC tolerance
of feminists far enough as it is. You'd be hard-pressed to find a
'Quantum of Good Taste' in a graphic novel like that.
Jeff: Speaking of which, who's your favorite Bond girl? I've never
asked you that.
Jim: My favorite Bond girl as in Bond girl character or favorite
actress who played a Bond girl?
Jeff: To be honest, Jim, I didn't really think about it, mate. So...
okay? It's just a question.
Jim: No, I just felt the need to answer specifically. Well, if we're
talking favorite characters then it's probably Eva Green's from the
last one. but favorite actress who played a Bond girl [notices Jeff
swooning at the mention of her name]... I know... er, Sophie
Marceau or Halle Berry.
Jeff: That Pierce Brosnan is one lucky bastard.
Jim: I tell you who's an even luckier bastard, though - Zach Braff.
Jeff: The guy out of 'Scrubs'?
Jim: Yeah. I mean, he's kissed Sarah Chalke, Amy Smart, Mandy Moore,
Gift shop girl...
Jeff: Tara Reid.
Jim: [shrugs]... yeah, Elizabeth Banks, and in movies he's been with
Rachel Bilson and Natalie Portman for Christ's sake!
Jeff: Ah! Natalie Portman!
Jim: Natalie Portman - the 'Portman'!
Jeff: Yeah, that girl has a face to stop the world. Okay, you know,
if they ever wanted to do another 9/11, all terrorists would have
to do is just put her picture in the cockpit. The pilots would look
at it, and the plane would go down like a fucking Malaysian pearl
diver!
Jim: [pauses, shocked]... Yes, she's very attractive. Like Audrey
Hepburn.
Jeff: Audrey - the original.
Jeff: Did you ever see 'Breakfast at Tiffany's'? You know, the one
with the famous dress?
Jim: No, I don't think so.
Jeff: This girl in my Film Studies class... okay, I saw it about a
year ago. I met this girl called Amy in my Film Studies class,
and... I didn't watch it through choice, but she was... you know.
Anyway, we're sitting there watching it... and I'm thinking "this
film is fucking crap!" Just... coffee table crap! And... all the
characters do throughout the whole film, especially Audrey Hepburn,
is just talk about nothing. Nothing. Just random crap. [Jim looks
at the camera but says nothing] Then, we're getting towards the end
of the film, and me and this girl are cuddling up. We're getting
towards the end, and it's the scene in the rain with the cat where
she's kissing the guy...
Jim: In the rain?
Jeff: Yeah.
Jim: At the end of the film?
Jeff: Yep.
Jim: And it dawns on me what that film is about.
Jim: [uninterested] What?
Jeff: Do you know what the moral of that film actually is?
Jim: ...What?
Jeff: It takes a helluva long time to get a pussy wet! [Jeff bursts
out laugh - Jim does not]
Jim: My ear hurts. That's how bad that joke was. My ear hurts. You've
hurt my inner ear.
Jeff: I thought that was pretty good!
Jim: You did now, did you?
Jeff: Yeah! Oh, come on - you love those jokes that are so bad
they're crap! So good they're crap, sorry.
Jim: Well, I do. But they have to make it into that second group.
They have to qualify for the second part of that thing. That fell
just short, and it was just bad. But don't feel bad, it's a very
hard joke to pull off. So it was worth seeing it though, was it?
Jeff: Yeah.
Jim: So you could crack that gem one day?
Jeff: You could say that.
Jim: What do you mean?
Jeff: She was grateful that I watched it with her.
Jim: Grateful in the [nudges him twice]... sense?
Jeff: Too right.
Jim: Lovely.
Jim: You've got to make sacrifices like that with birds.
Jim: It shows you care.
Jeff: Yeah.
Jim: Wow. I should take more advice from you. You're like a white
'Hitch'.
Jeff: I get more action than you do, bitch!
Jim: Don't call me a bitch, Hitch. It's unladylike.
Jeff: You know, maybe if you came out with me a bit more often you'd
get more action. Okay?
Jim: What, like Freda? Do you remember 'the Freda incident'?
Jeff: Yeah, I do remember 'the Freda incident', but the fact of the
matter is she was, you know, kinda hot, and... oh, for Christ's
sake! You know, your uni spell would have been one long dry spell
instead of two if you'd just, like, hung out with me a bit more,
okay? You got some action with Freda and that was because of me,
because I dragged you down to that bar at the bottom of uni and you
started talking to her you ungrateful tit!
Jim: Yeah, and I never asked you to do that, by the way. Did I ever
ask you to do that? No. I never asked for your help in that regard.
Jeff: Oh, I'm sorry. You're upset because I'm your pimp?
Jim: I don't need a pimp, Jeff. I don't want a pimp. Look Freda was
alright. It was an alright experience, but, you know... her wonky
eye kinda freaked me out. I mean, I know that sounds horrible, but
it did.
Jeff: Dude, you still fucked her. There's nothing wrong with that.
Jim: Yeah, I know, but she liked to look at me a lot during. And it
was pretty awkward when...
Jeff: She liked to look at you a lot during?
Jim: Yeah, and it was pretty awkward when she was... you know, down
there. I didn't know if she was, you know, concentrating or looking
at the clock on the bedside table, like "how much longer do I have
to do this?" [Jeff bursts out laughing] It's not funny, Jeffery!
Jeff: Don't call me Jeffery.
Jim: Okay.
Jim: ...Hey.
Jeff: "Hey".
Jim: [pause] What do you call a deaf gorilla?
Jeff: I don't know, what do you call it?
Jim: Anything you want; he can't hear you. [Jeff cracks a small
smile] What do you call a gorilla that isn't deaf?
Jeff: What do you call it?
Jim: Anything you want; gorillas don't speak English. [Jeff cracks a
bigger smile] See, that's how you tell a joke. Delivery.
Jeff: [long pause] Look, Jim...
Jim: No, Jeff - don't say it. I was a dick. This was mostly my fault.
Jeff: No, that's what I was going to say - you're a dick and it's
mostly your fault. [after a second, Jim realizes he's kidding and
laughs] I'm joking, man.
Jeff: [in the stolen car] Just go.
Jim: It's an automatic.
Jeff: Jim, go!
Jim: I'm not used to automatic! [Jim starts driving. Jeff laughs] Did
we just fucking car-jack someone?
Jeff: Yep. Yes, we did.
Jim: We? i didn't know what the fuck was going on! One minute I'm on
a bridge talking about gorillas and libraries, and the next minute
I've aided and abetted a criminal!
Jeff: Fuck you! You were there as much as I was!
Jim: What the fuck, Jeff? What are we doing? I mean, the police! What
if... she's calling the police, she's probably calling the police
right now!
Jeff: If that old bag's the thing you're worried about, just wait
until... you know, we'll leave the car, make an anonymous call and
she'll get it back in no time - she'll get it back by today! Oh
Christ, it's not the first time you've broken the law. It's not the
first time this morning!
Jim: Jesus, he's thought this through! [Point to Jeff's lap] And
what's that?
Jeff: It's my piece.
Jim: Your what?
Jeff: My gun.
Jim: You carry a gun?
Jeff: Oh, it's not real! It's a fucking replica, it's a toy gun!
Jim: What are you, a rapper? You carry a gun?
Jeff: It's a replica. It's for psychological reasons. Look, if you're
having this pointed in your face, you're not going to stop and
think "Oh, is it real?" It worked back there, didn't it?
Jim: Yeah, but... Jesus. [the seat belt alarm beeps] What's that?
Jeff: Just go.
Jim: I've got my seat belt off. [Jim puts his seat belt on] It's
important to be safe, even when you're aiding and abetting and
committing grand theft auto. But seriously, who brings a toy gun to
a robbery?
Jeff: The robbers in 'Inside Man'.
Jim: I've never seen that.
Jeff: 'Inside Man'. It's a Spike Lee movie with Denzel Washington.
Jim: This is ridiculous. [Jim pulls the car over] Look, I'm not going
after him. I don't care about 'Inside Man'. I mean, I don't... I'm
not going after this guy. This is ridiculous. [Jeff accidentally
fires the cap-gun] OH FUCK! Would you give me some warning before
you do that, you fucking... pederast.
Jim: We've got to be careful about this. What do we do?
Jeff: Right. Come on, let's go.
Jim: Now we've got to be... how shall we act?
Jeff: Violent!
Jim: As if, you know, we...
Jeff: A couple of fucking pussies ain't gonna do anything! Come on!
Jim: Well, that's true.
Jeff: Look, if he thinks we're being violent, he thinks we're being
serious. Look, he's fucking getting out - he's getting out of the
car!
Jim: He can't report us anyway - he stole our car.
Jeff: Yeah, too right. Let's go.
Jim: Right. So we're just being bad for... fun?
Jeff: For shits and giggles.
Jim: Cool. Yeah. Let's be bad guys.
Jeff: Look at that fucker - he's sorry, isn't he?
Jim: Let's be bad guys. Sweet!
[last lines]
Jim: WHOOO! We did it!
Jeff: Drive, drive!
Jim: I don't believe it! We got the car back!
Jeff: Yeah, well, you're welcome!
Jim: Wait, what about the car we left back there?
Jeff: ...Oh shit, yeah.
Jim: He's probably taking it now!
Jeff: So? That's a good thing! That means if the police find the car
they'll catch him instead - he stole it last!
Jim: ...Yeah, you're right. Well, I guess I'd better take you home
then.
Jeff: That's okay. I'm in no hurry. Hey, here's an idea - why don't
we go back to yours and have a little celebration brunch?
Jim: A "celebration brunch"? What is that, the latest thing?
Jeff: Come on. We got your car back, dude. We should celebrate
somehow. We can have pancakes, and if Mary's there I can apologize
to her.
Jim: You're just hungry, aren't you?
Jeff: Dude, I'm starving. And I'm sick of spaghetti!
Jim: Well, I'm kinda hungry myself. Plus your limp seems to have gone
so I don't think I need to take you to the hospital any more.
Jeff: What?
Jim: Yeah, ever since we got out of the taxi, your limp's been pretty
much... gone.
Jeff: Well, it comes and goes.
Jim: "It comes and goes"? So it's a part-time limp, is it?
Jeff: Hey, I read somewhere they can sometimes be more serious than
the permanent ones.
Jim: Oh really, and where'd you read that? In one of the medical
journals you flip through in your spare time?

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