Movie info
| Languages: | English |
| Budget: | USD 4,000,000 |
| Gross: |
USA - 766,771 USD (16 March 1997) |
| Plot: | The residents of Blaine, Missouri - the self-proclaimed home of the first UFO landing in the United States (Blaine residents beg to differ with Roswell's claims) and stool capital of the world - are excited about the town's upcoming sesquicentennial celebrations, which will have as its centerpiece the original musical production, "Red, White and Blaine". Assisted by high school music teacher Lloyd Miller, Corky St. Clair, the musical's writer/composer and former New York theater professional (off off off off Broadway) who currently leads the Blaine Community Players, will helm the production. Corky and Lloyd are excited about their 'talented' cast of locals and the production as a whole, Corky and Lloyd who themselves are as untalented and unaware as their cast. Corky and company are especially anticipating the presence of Mort Guffman in the audience on opening night, he a representative of the prestigious New York based Oppenheimer Organization. In Corky's mind, a favorable review from Guffman means that the production is heading to Broadway. Through all the ups and downs and more downs of the pre-production, everyone in Blaine still can't wait for opening night and the arrival of Guffman, upon who the cast and crew's dreams rest. |
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Original Soundtracks
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"Lightnin' Strikes" Words and Music by Lou Christie (as Lou Christy), Twyla Herbert Courtesy of Music Corporation of America, Inc. (BMI) Sung by James McQueen at the audition. (uncredited) "Teacher's Pet" Written by Joe Lubin Daywin Music, Inc. Administered by Careers-BMG Music Publishing, Inc. (BMI) Danced to and sung by Parker Posey (uncredited) at the audition "Jeanie with the Light Brown Hair" (uncredited) Written by Stephen Foster (1854) Sung by Eugene Levy at the audition "Gwine to Rune All Night" (uncredited) aka "De Camptown Races" Written by Stephen Foster Sung by Eugene Levy at the audition "Old Folks at Home" (uncredited) aka "Swanee River" Written by Stephen Foster Sung by Eugene Levy at the audition "Midnight At The Oasis" Written by David Nichtern Courtesy of Space Potato Music, Ltd. (ASCAP) Sung by Fred Willard (uncredited) and Catherine O'Hara (uncredited) at the audition "Corky's Funky Dance" Written by Jeffrey C.J. Vanston (as Jeffery (C.J.) Vanston) Courtesy of King Brill Music (BMI) Danced by Christopher Guest (uncredited) "Colors Of America" Written by Lee Campbell-Towell Courtesy of Southern Music Company (ASCAP) "Covered Wagons, Open-toed Shoes" Written by Michael McKean and Christopher Guest Courtesy of Tuxedo Time Music / Coney Island Whitefish Music / Hazen Music (ASCAP) Played in the show "Stool Boom" Written by Harry Shearer and Christopher Guest Courtesy of Dog on the Beach Music / Coney Island Whitefish Music / Hazen Music (ASCAP) Sung by the cast in the show "A Penny For Your Thoughts" Written by Michael McKean and Christopher Guest Courtesy of Tuxedo Time Music / Coney Island Whitefish Music / Hazen Music (ASCAP) Sung by Parker Posey (uncredited) and Christopher Guest (uncredited) in the show "Nothing Ever Happens On Mars" Written by Harry Shearer and Christopher Guest Courtesy of Dog on the Beach Music / Coney Island Whitefish Music / Hazen Music (ASCAP) Sung by a Martian in the show "Blaine Panthers Fight Song" Written by Jeffrey C.J. Vanston (as Jeffery (C.J.) Vanston) Courtesy of King Brill Music (BMI) Sung by Blaine High School students "My Bubba Made a Kishka" (uncredited) Sung a cappella by Eugene Levy |
Goofs
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Continuity: The clock on the VCR in the trailer flashes (the time isn't set) in long shots, but is correctly set in close-up. Continuity: The placement of the show posters on Corky's wall. Continuity: In the Chinese dinner scene, the plate of beef disappears/reappears in the first few shots Continuity: SPOILER: After the play is finished, a stagehand comes into the dressing room to hand Corky the message from Mr. Guffman, then leaves the room. When he reads the message to the group, the stagehand is standing in the background over his shoulder. In the following shot when Corky sits down, she is gone again. SYNC: When the stage prompter is saying "we're on in fifteen minutes" her mouth does not move with the words. Continuity: In the Chinese dinner scene, Sheila's wine glass contains different amounts throughout the meal. At one point it's half full and then it's suddenly full. SYNC: During the last scene in the play, a tuba can clearly be heard playing, but there is no tuba in the orchestra. |
Quotes
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Corky St. Clair: It's like in a Hitchcock movie, you know, where they tie you up in a rubber bag and throw you in the trunk of a car. You find people. Corky St. Clair: I was shopping for my wife Bonnie. I buy most of her clothes and Mrs Pearl was in the same shop! And it just was an accident you know, we started talking... about panty hose, she was saying... whatever that's not the point of the story but what the point is is that through this accidental meeting... it's like a Hitchcock movie you know where you're thrown into a rubber bag and put in the trunk of a car, you find people. You find them. Something, is is it karma? Maybe. But we found him, that's the important thing. And I got Bonnie a wonderful pantsuit. UFO Expert: I've been coming to this circle for about five years, and measuring it. The diameter and the circumference are constantly changing, but the radius stays the same. Which brings me to the number 5. There are five letters in the word Blaine. Now, if you mix up the letters in the word Blaine, mix 'em around, eventually, you'll come up with Nebali. Nebali. The name of a planet in a galaxy way, way, way... way far away. And another thing. Once you go into that circle, the weather never changes. It is always 67 degrees with a 40% chance of rain. Corky St. Clair: Here's the Remains of the Day lunchbox. Kids don't like eating at school, but if they have a Remains of the Day lunchbox they're a lot happier. Dr. Pearl: People say, You must have been the class clown. And I say, No, I wasn't. But I sat next to the class clown, and I studied him. Corky St. Clair: ...'cause you people are BASTARD PEOPLE! Corky St. Clair: So what I'm understanding here - correct me, if I'm wrong - is that you're not givin' me... any money... so now I'm left basically with nothin', I'm... left with ZERO, in which, in which, what can I do with zero, you know? What can I... I can't do ANYTHIN' with it! I need to, this is my LIFE here we're talking about! We're not just talkin' about, you know, somethin' else, were talking about MY life, you know? And it's forcing me to do somethin' I don't wanna do. To leave. To, to go out and just leave and go home and say, make a clean cut here and say "no way, Corky, you're not puttin' up with these people!" And I'll tell you why I can't put up with you people: because you're BASTARD people! That's what you are! You're just bastard people! And I'm goin' home and I'm gonna... I'm gonna BITE MY PILLOW, is what I'm gonna do! Ron Albertson: If there's an empty space, just fill it with a line, that's what I like to do. Even if it's from another show. Corky St. Clair: It's a Zen thing, like how many babies fit in a tire. Ron Albertson: We consider ourselves bi-costal if you consider the Mississippi River one of the coasts. Glenn Welsch: Blaine is the stool capital of the world. Ron Albertson: Some people find it ironical that although we run a travel agency, we've never been outside of Blaine. Mrs. Pearl: We don't associate with the creative types. We have a Scrabble club. We associate with people with babies. Corky St. Clair: Well, then, I just HATE you... and I hate your... ass... FACE! Corky St. Clair: People don't like to have fire poked, poked in their noses. Corky St. Clair: My first show was Barefoot in the Park, which was an absolute smash, but my production on the stage of Backdraft was what really got them excited. This whole idea of 'In Your Face' theatre really affected them. The conceptualization, the whole abstraction, the obtuseness of this production to me was what was interesting. I wanted the audience to feel the heat from the fire, the fear, because people don't like fire, poked, poked in their noses, you know when you get a cinder from a barbeque right on the end of your nose and you kind of make that face, you know, that's not a good thing, and I wanted them to have the sense memory of that. So during the show I had someone burn newspapers and send it through the vents in the theatre. And well, they freaked out, and 'course the fire Marshall came over and they shut us down for a couple of days. Lloyd Miller: [whispering] I don't want to interfere, but I think it would be... I think we have to work on... Corky St. Clair: I can't hear you! Lloyd Miller: [normal voice] I think we have to work on the music a little bit more. But I don't want to make trouble. So, [whispering again] and I don't really want to do this in front of them... Corky St. Clair: Well, where do you want to do it? Lloyd Miller: [whispering] Well, I think we have to sit down and make a schedule that includes some music time, because I think Jane and I have to work... Corky St. Clair: Why are you whispering? I'm right here, you know? Lloyd Miller: [raising voice considerably] Oh I'm sorry, do you want me to talk louder? Because I think that that it would be... Corky St. Clair: Well now it's too loud! You know, just talk like a normal person, OK? Dr. Pearl: I'm walking on air... you know... this is a sensation which is... forget it. When I became a dentist, I thought I was happy, but this... Sheila: He's teaching me to change my instincts... or at least ignore them. Corky St. Clair: How tall are you? Johnny: 6'2. Corky St. Clair: Really... Wow! Corky St. Clair: You're squeezing your boobies out! Dr. Pearl: You have to go where the love is. And the love for me, right now, is in Miami, not Blaine. Libby Mae Brown: I been workin' here at the D.Q. for about, um... eight months? Seven? I don't know, somethin' like that, it's fun. Just do the cones... make sundaes, make Blizzards, 'n... put stuff on 'em, 'n... see a lot of people come in, a lot of people come to the D.Q... burgers... ice cream... anything, you know? Cokes... just drive in and get a Coke, if you're thirsty. Corky St. Clair: Everybody dance! Libby Mae Brown: I'll always have a place at the Dairy Queen. Libby Mae Brown: What New York really is, is it's an island, with lots of people, lots of different people... I hope to maybe meet some guys, some Italian guys, and maybe watch some TV. Libby Mae Brown: My aunt brought out her atlas that I look at a lot. This big blue book and opened up to New York and it's an island, is really what it is. It's this island full of people of different colors and different ideas and I can't- It sounds like a lot of fun to me. You know, we don't see much of that in Blaine. I'd like to maybe meet some guys, some Italian guys, you know... watch TV and stuff. Corky St. Clair: I got off that boat with nothing but my dancers belt and a tube of CHAPSTICK! UFO Abductee: They took me off into a separate room; I seen 'em takin' different people off; different ones of us off in separate rooms and put me on a big white table and uh the guy that took me in there - to examine me I guess - he probed me and then I was in there I bet more than three or four hours, in that room, being probed and at one time or another these different ones of 'em came in, four or five or six of 'em at different times, and all of 'em probed me, uh, not all at once, you know, individually. Later on, years later, now, even still, uh, it's a funny thing - it happened on a Sunday and every Sunday about the time I was taken on board that ship I - find I have no feelings in my buttocks. [Corky and Libby are playing a World War II era couple in "Red, White and Blaine"] Libby Mae Brown: [as "Ima"] I hear that French girls... are very pretty... that they wear the finest of clothes. I also hear that they are experts... in the ways of love. Corky St. Clair: [as "Monty"] Ima... I'm going to fight for my country! To fight... and yes, perhaps die... so that young men from here to Timbuktu can feel the wind of freedom blowin' through their hairrrrr! Clifford Wooley: I had a... hankerin' to be an actor when I was a young feller when I got out of the Coast Guard, but I... I went to taxidermy school instead... well, I took a correspondence course. Dr. Allan Pearl: I think I got a, a, an entertaining bug... from my grandfather... uh, Chaim Pearlgut, who was very very big in the, um, Yiddish, uh, theater, back in New York. He was in the, the very... the sardonically irreverent... "Dybbuk Shmybbuk, I Said 'More Ham'"... and that revue I believe was 1914, and that revue was what made him famous. Incidentally, the song "Bubbe Made A Kishke" came from that revue. [the cast of "Red, White And Blaine" is in its first rehearsal] Corky St. Clair: I'd like you to close your eyes now, and I'd like you to try something, all right? Now what are you thinkin', what are you feeling right now, with your eyes closed? [Blows in Dr. Pearl's ear] Dr. Allan Pearl: I feel a bree... a... you're blowing in my ear. Corky St. Clair: Okay, all right, but you see you jumped... to a conclusion! Dr. Pearl: Oh! Corky St. Clair: See, what I'm asking for is... your first feeling... was not that I was blowing on you. It was more like... Virgin Isles, or... Bahamanian... Dr. Pearl: Oh... Corky St. Clair: Or... Arubian... Corky St. Clair: What the city council did was really... give me a challenge, and it's a challenge that I am going to... accept. It's like in the olden days, in the... days of France, when men would slap each other with their gloves... say, y'know... "D'Artagnan!"... y'know, "how dare you talk to me like that, you!," and... smack 'em! Dr. Allan Pearl: [singing] Nothing ever happens on Mars/No sports or entertainment/No swinging bars/You stand around/You stand some more/On a planet named for the Roman god of war. Glenn Welsch, Mayor: There's a saying in Missouri, if you don't like the weather just wait five minutes. In Blaine, with hard work, I think we can get that down to three or four minutes. Ron Albertson: I had to have penis reduction surgery. Dr. Allan Pearl: Penis *reduction*? Sheila: I said to him, "Ron, you've gotta do something!" And he says to me, "Well, why don't you get one of those vagina enlargements?" [the Pearls and the Albertsons are dining at the Chop Suey Chinese kitchen] Ron Albertson: Let me ask you something. You're a medical man. Dr. Allan Pearl: Yes. Ron Albertson: Uh... I wanna ask you something... if you... you... [stands up, prepares to drop trousers] Dr. Allan Pearl: [Horrified] Oh! Ron Albertson: No, I, I... Dr. Allan Pearl: Oh, for heaven's sake, no, noooooo... Ron Albertson: Look, no please, I just want... Dr. Allan Pearl: No! Mrs. Allan Pearl: You don't have to do that... Ron Albertson: Doctor, please... Dr. Allan Pearl: Mmmmmedicine Man not go near Dances With Stumpy! Noooo! Corky St. Clair: Boy, I didn't know deers could... could do that, you know? [Ron and Sheila are extras in some kind of Hollywood western] Ron Albertson: I'd wish they'd at least give us a line. I made some suggestions... Sheila: We should be line-DANCING. Corky St. Clair: [during "Red, White, and Blaine production, 'Bulging River' Scene] I love you too pa. You taught me how to be a man. How to wrastle a steer to the ground and apply a fiery brand to his hind-quarters. And yes, how to love a woman. How the smell of her hair can drive a man wild! Corky St. Clair: Well, it's like, how many babies fit the tire? You know, that old joke. Dr. Pearl: I dream of Genie with the light brown hair. Floating like a vapor on the soft summer air. LOOK OUT! Campdown races sing this song doo da doo da... Dr. Pearl: [singing at an old folks home in Miami] Bubbe made a kishke, she made it big and fat, My Zaydeh took one look at it and said "I can't eat that!', Oh Bubbe, Bubbe, Bubbe, Oh Bubbe me oh myyyyyyyy... Corky St. Clair: [attempting to say "Hello, how are you" in a Cockney accent] Ello, ow are ooo? Man Auditioning: I'd like to do a scene from the movie Raging Bull. You fuck my wife! [Corky looks shocked] Steve Stark, Councilman: God, I wish I was in this show. Ron Albertson: You know, in China they'll kill a monkey at the table and split its head open and eat the brains right out of it. |
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