About
| Birth Name: | Lithgow, John Arthur |
| Birth Notes: | 19 October 1945, Rochester, New York, USA |
| Height: | 6' 4" |
| Nicknames: | Jiggles |
| Family: | * 'Mary Yeager' (1981 - present); 1 son, Nathan, 1 daughter, Phoebe * 'Jean Taynton' (10 September 1966 - 1980) (divorced); 1 son, Ian |
| Biography: | If "born to the theater" has meaning in determining a person's life path, then John Lithgow is a prime example of this truth. Son of a retired actress and a father who was both a theatrical producer and director, he moved frequently as a child while his father founded and managed local and college theaters and Shakespeare festivals throughout the midwest of the United States. Not until he was 16, and his father became head of the McCarter Theater in Princeton New Jersey, did the family settle down. But for John, the theater was still not a career. He won a scholarship to Harvard University, where he finally caught the acting bug (as well as found a wife). Harvard was followed by a Fulbright scholarship to study at the London Academy of Music and Dramatic Art. Returning from London, his rigorous dramatic training stood him in good stead, and a distinguished career on Broadway gave him one Tony award for "The Changing Room", a second nomination in 1985 for "Requiem for a Heavyweight", and a third in 1988 for "M. Butterfly". But with critical acclaim came personal confusion, and in the mid '70s he and his wife divorced. He entered therapy, and in 1982 his life started in a new direction, the movies - he received an Academy Award nomination for his portrayal of Roberta Muldoon in The World According to Garp (1982). A second Oscar nomination followed for Terms of Endearment (1983), and he met a UCLA economics professor who became his second wife. As the decade of the '90s came around he found that he was spending too much time on location, and another career move brought him to television in the hugely successful series "3rd Rock from the Sun" (1996). This production also played a role in bringing him back together with the son from his first marriage, Ian Lithgow , who has a regular role in the series as a dim-witted student. |
Filmography
| 2010 (1984) as Dr. Walter Curnow |
| A Civil Action (1998) as Judge Walter J. Skinner |
| All That Jazz (1979) as Lucas Sergeant |
| At Play in the Fields of the Lord (1991) as Leslie Huben |
| Cliffhanger (1993) as Eric Qualen |
| Confessions of a Shopaholic (2009) as Edgar West |
| Footloose (1984) as Reverend Shaw Moore |
| Harry and the Hendersons (1987) as George Henderson |
| Hollow Point (1996) as Thomas Livingston |
| Homegrown (1998) as Malcolm/Robert Stockman |
| Kinsey (2004) as Alfred Seguine Kinsey |
| L.A. Story (1991) as Harry Zell |
| Leap Year (2010) as Jack Brady |
| Obsession (1976) as Robert Lasalle |
| Orange County (2002) as Bud Brumder |
| ShowBusiness: The Road to Broadway (2007) as Himself |
| Shrek (2001) as Lord Farquaad |
| Silent Fall (1994) as Dr. Rene Harlinger |
| Terms of Endearment (1983) as Sam Burns |
| The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) as Lord John Whorfin/Dr. Emilio Lizardo |
| The Life and Death of Peter Sellers (2004) as Blake Edwards |
| The Pelican Brief (1993) as Smith Keen |
| Twilight Zone: The Movie (1983) as John Valentine (Segment #4) |
| 2010: The Odyssey Continues (1984) as Himself |
| A Good Man in Africa (1994) as Arthur Fanshawe, British High Commissioner |
| Blow Out (1981) as Burke |
| Broadway: Beyond the Golden Age (2010) as Himself |
| Broadway: The Next Generation (2009) as Himself |
| C-Scam (2000) |
| Casting By (2010) as Himself |
| Courage: Profiles in Creativity (1998) as Himself |
| Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972) as John |
| Distant Thunder (1988) as Mark Lambert |
| Dreamgirls (2006) as Jerry Harris |
| I'm Dancing as Fast as I Can (1982) as Mr. Brunner |
| Johnny Skidmarks (1998) as Sergeant Larry Skovik |
| Love, Cheat & Steal (1993) as Paul Harrington |
| Memphis Belle (1990) as Lt.Col. Bruce Derringer |
| Mesmerized (1986) as Oliver Thompson |
| Officer Buckle and Gloria (1997) as Narrator |
| Out Cold (1989) as Dave |
| Princess Caraboo (1994) as Professor Wilkinson |
| Raising Cain (1992) as Carter/Cain/Dr. Nix/Josh/Margo |
| Rich Kids (1979) as Paul Philips |
| Ricochet (1991) as Blake |
| Rise of the Apes (2011) |
| Rugrats in Paris: The Movie - Rugrats II (2000) as Jean-Claude |
| Santa Claus (1985) as B.Z. |
| Shrek 4-D (2003) as Ghost of Farquaad |
| Special Effects: Anything Can Happen (1996) as Narrator |
| Sylvester and the Magic Pebble (1993) as Narrator |
| The Amazing Bone (1985) as Narrator |
| The Big Fix (1978) as Sam Sebastian |
| The Macabre World of Lavender Williams (2009) as God |
| The Manhattan Project (1986) as John Mathewson |
| The World According to Garp (1982) as Roberta Muldoon |
Trivia
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* Graduated from Princeton High School, Princeton, NJ. * Graduated magna cum laude from Harvard University (1967). * Studied at London Academy of Music and Dramatic Art. * Was named a Fulbright scholar. * Father of Ian Lithgow . * Hosted the Welcoming Reception for UCLA's new Chancellor Carnesale. * Claims that his most difficult performance was in Twilight Zone: The Movie (1983) because he had to portray fear of the monster, although he couldn't really see it. * Graduated from Harvard University, with a BA in history and literature. Daughter, Phoebe (b. 1982). * Was considered for the role of Hannibal Lector in The Silence of the Lambs (1991). * Wins both the Tony award and Drama Desk award as best actor in a Broadway musical, for performance in "Sweet Smell of Success" May/June 2002. * Wife Mary is economics professor at UCLA. * His father ran a Shakespearian Acting company in the 1950s which included David Carradine. * Parents are Sarah Jane Price (b. 1917) and theater director/producer Arthur Lithgow (1915-2004). * Biography in: "Contemporary Authors". Volume 217, pg. 219-223. Farmington Hills, MI: Gale, 2004. * Was considered for the role of Doc Brown in Back to the Future (1985). The role went to Christopher Lloyd instead. * Was the voice of Yoda in the NPR adaptations of the Star Wars Trilogy. * Has won two Tony Awards: in 1973, as Best Supporting or Featured Actor (Dramatic) for David Storey 's "The Changing Room"; and in 2002, as Best Actor (Musical) for "Sweet Smell of Success." He has also been nominated on three occasions for Tonys -- two for Best Actor (Play): for "Requiem for a Heavyweight" (1985) and "M. Butterfly." (1988), and once for Best Actor (Musical): for "Dirty Rotten Scoundrels" (2005). * Was called in to replace another actor in Terms of Endearment (1983), and his role was filmed in 3 days during a break from filming Footloose (1984). * Three of his non-film roles have been based on movies involving Frank Oz and Ian McDiarmid. Most of Oz's and McDiarmid's collaborations are the Star Wars films, in which they play Yoda and Darth Sidious, respectively. Lithgow played Yoda on the radio. Oz also directed McDiarmid in Dirty Rotten Scoundrels (1988). Lithgow appeared in the stage musical. * He is a registered pastor of Rose Ministries, and has officiated the wedding of his goddaughter. * Is member of the Academy of Motion Picture Arts & Sciences (AMPAS). * Even though his parents were both actors, he was inspired to get into acting by Peter Sellers. * Is an accomplished guitar player. * Has a Scottish background. * Lives in Los Angeles, California. |
Quotes
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* [About the constant time-slot changes and ultimate cancellation of "3rd Rock from the Sun" (1996)] "If NBC had set out to ruin it, they couldn't have done a better job. They kept trying to use us as a weapon instead of a show to be taken care of. It would have been nice to have stayed a big hit, but I'd rather be a great show that nobody was watching than a lousy show that was a big hit, which is the case for most of the others". * "In general, my basic rule of thumb is just act in things you would want to see yourself in. I have a taste for all kinds of movies. Usually, it's a question of whether it will be fun, whether I respect the people behind it, whether I would like to work with them. I'm sure I'm a serious-minded actor, but I still value the frivolity of acting. It's a real exuberant, entertaining thing to do. I never lose track of that." * I've had parallel careers in the theatre and in movies. In the theatre, I often play characters with a strong sense of innocence who aren't as intelligent as I am. The reason: my size. I seem sort of big and good-natured on stage. It would be too much for a big man to play a forbidding character on stage. So I play big people who are fairly gentle. It's a wonderful thing to build a career on. What I offer to movie-makers is that I can put a tremendous amount of theatrical background and technical equipment at their disposal. I can make believable the over-the-top characters. * [from a 1984 interview] My career just happened to me. I didn't manage it. My plate is full all the time, but I never have the opportunity to choose from ten parts. I do turn down junk. I've played important parts in movies but I haven't yet played the person the story is about. The joy is in the work. You can get too hung up on where you are. I'm not preoccupied with the desire to be top banana, but I do want to play bigger parts. |
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